BORN |
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1980, Boston, MA |
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Lives and works in Brooklyn, NY |
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EDUCATION |
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2006 |
MFA | Yale University School of Art, New Haven, CT |
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2003 |
BA | Bard College, Annandale-on-Hudson, NY |
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SOLO AND TWO PERSON EXHIBITIONS |
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2019 |
Houston Center for Photography, Houston, TX (forthcoming) |
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2018 |
Blue Room, James Fuentes, New York, NY |
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2017 |
Selective Color, M+B, Los Angeles, CA |
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New Canvas, James Fuentes, New York, NY |
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Boca Raton Museum, Contemporary Photography Forum, Boca Raton, FL |
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2016 |
Hand, Select & Invert Layer, Bolte Lang, Zurich, Switzerland |
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2015 |
Fruits et Riche Vaisselle Sur Une Table 1640-2015, One Star Press, Paris, France |
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2014 |
Shadows, Patterns, Pears, Foam Museum, Amsterdam, Netherlands |
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Screen Selections and Still Lifes, Wallspace, New York, NY |
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The Alphabet, The Suburban, Oak Park, IL |
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2013 |
Shadows and Pears, The Horticultural Society of New York, NY |
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The Green Line, M+B, Los Angeles, CA |
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2011 |
Portraits and Parts, Wallspace, Still Lifes, New York, NY |
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Flowers & Shadows, Onestar Press, Paris, France |
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Daniel Gordon and Talia Chetrit, Tony Wight Gallery, Chicago, IL |
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2010 |
Claudia Groeflin Galerie, New York, NY |
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Thirty-One Days, Callicoon Fine Arts, Callicoon, NY |
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2009 |
Leo Koenig Projekte, New York, NY |
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Portrait Studio, Groeflin Maag Galerie, Zurich, Switzerland |
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2007 |
Thin Skin II, Zach Feuer Gallery, New York, NY |
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2006 |
Groeflin Maag Galerie, Basel, Switzerland |
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2004 |
Angstrom Gallery, Dallas, TX |
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Groeflin Maag Galerie, Basel, Switzerland |
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GROUP EXHIBITIONS |
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2018 |
Loading... Works from the Foam Collection, Foam Museum, Amsterdam, Netherlands |
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Feast for the Eyes: The Story of Food in Photography, Louisiana Art & Science Museum, Baton Rouge, LA |
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Rose Is A Rose Is A Rose Is A Rose, Jack Hanley Gallery, New York, NY |
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Screenspace, Nara Roesler Gallery, São Paulo, Brazil |
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Cut! Paper Play in Contemporary Photography, The Getty Museum, Los Angeles, CA |
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Roesler Hotel: Screenscapes, Galeria Nara Roesler, Sao Paulo, Brazil |
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2017 |
Contemporary Photography Forum, Boca Raton Museum of Art, Boca Raton, FL |
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Inaugural Exhibition: Oliver Twist, Chapter 2, Rental Gallery, East Hampton, NY |
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Ready. Fire! Aim., curated by DJ Hellerman, Hall Art Foundation, Reading, VT |
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Fickle Food Upon A Shifting Plate, Curated by Tayah Leigh Barrs and organised with Laurence Owen, Studio_Leigh, London, United Kingdom |
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2016 |
Collected, Pier 24, San Francisco, CA |
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New Builds, Josh Lilley Gallery, London, UK |
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2015 |
Eat Abstractedly, Mary Mary, Glasgow, UK |
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2014 |
Secondhand, Pier 24, San Francisco, CA |
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Under Construction, Foam Museum, Amsterdam, Netherlands |
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The Crystal Palace, Rachel Uffner Gallery, New York, NY |
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Particular Pictures, The Suzanne Geiss Company, New York, NY |
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2013 |
Reality Check, Massachusetts College of Art and Design, Boston, MA |
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Hair and Skin, Derek Eller Gallery, New York, NY |
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Ten Years, Wallspace, New York, NY |
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Jew York, UNTITLED, New York, NY |
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Merge Visible, Horton Gallery, New York, NY |
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This is the Story of America, Brand New Gallery, Milan, Italy |
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2012 |
Reality Check, Bakalar & Paine Gallery, Boston, MA |
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Eye of Horus, Patricia Low Contemporary, Gstaad, Switzerland |
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What Do You Believe In, New York Photo Festival, Brooklyn, NY |
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Out of Focus, Saatchi Gallery, London, UK |
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Screenshots, William Benton Museum of Art, Storrs, CT |
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The Big Toe, Wallspace, New York, NY |
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Face Time, On Stellar Rays, New York, NY |
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State of the Art Photography, NRW-Forum, Düsseldorf, Germany |
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2011 |
Go Figure, Dodge Gallery, New York, NY |
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The New Photograph, The Hagedorn Foundation, Atlanta, GA |
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2010 |
Greater New York, MoMA P.S.1, Queens, NY |
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Swagger, Drag, Fit Together, Wallspace, New York, NY |
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In a Paperweight Tony Wight Gallery, Chicago, IL |
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Spring Fever, 106 Green, Brooklyn, NY |
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2009 |
Museum of Modern Art, New Photography Series, New York, NY |
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Complicity, curated by Leigh Markopoulos, Rena Bransten Gallery, San Francisco, CA |
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Derek Eller Gallery, Summer Group Show, New York, NY |
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A Brief But Violent Episode, Sunday Gallery, New York, NY |
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Photographic Works, Cohen and Leslie Gallery, New York, NY |
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On From Here, Guild and Greyshkull, New York, NY |
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All Suffering Soon To End, Callicoon Fine Arts, Callicoon, NY |
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A Fragile Reality, Elizabeth Leach Gallery, Portland, OR |
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2008 |
The Constructed Image, Redux Contemporary Arts Center, Charleston, SC |
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Stretching the Truth, John Michael Kohler Arts Center, Sheboygan, WI |
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Fresh Kills, curated by David Kennedy-Cutler, Dumbo Arts Center, Brooklyn, NY |
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Like Watching a Train Wreck, Groeflin Maag Galerie, Zurich, Switzerland |
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2007 |
Warhol &... Kantor/Feuer Gallery, Los Angeles, CA |
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Frederieke Taylor Gallery, New York, NY |
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I Am Eyebeam, curated by Lorelei Stewart and Melanie Schiff, Gallery 400 at the University of Illinois, Chicago, IL |
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2006 |
Scarecrow, curated by David Hunt, Postmasters, New York, NY |
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Yale MFA Photography 2006, Baumgartner Gallery, New York, NY |
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An Inch of Truth, Thomas Erben Gallery, New York, NY |
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2005 |
Handmade, curated by Tim Davis, Wallspace, New York, NY |
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2004 |
Economies of Scale, curated by Pascal Spengemann, CCS Museum at Bard College, Annandale-On-Hudson, NY |
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2003 |
Buy Contortions, Taxter & Spengemann, New York, NY |
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Whim? Angstrom Gallery, Dallas, TX |
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2001 |
Daniel Gordon and Robyn O'Neil, Angstrom Gallery, Dallas, TX |
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BIBLIOGRAPHY |
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2018 |
Ollman, Leah. "Cut, folded, pasted: Photography takes a twist and turn in the Getty's 'Paper Play'", The Los Angeles Times, April 24 |
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2017 |
Lilly, Amy. “Art Review: ‘Ready. Fire! Aim.’at Hall Art Foundation”, Seven Days. July 05 |
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Smith, Roberta. “Daniel Gordon: New Canvas,” The New York Times. February 16 |
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2016 |
Rosenmeyer, Aoife. “Hand, Select & Invert Layer,” Art Review, October |
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Art21: Daniel Gordon Looks Back (video), https://www.nowness.com/story/art21-daniel- gordon, July 27 |
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2015 |
Schuman, Aaron. “Construction Sight: How a Generation of Artists is Re-Ordering the Building Blocks of Photography,” Frieze, April |
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2014 |
Slenske, Michael and James Tarmy. “Bright Prospects,” Architectural Digest, December |
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Fiske, Courtney. “Critics Picks New York: Daniel Gordon,” Artforum.com, December |
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“Goings On About Town,” The New Yorker, December 1 |
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Rosenberg, Karen. “Daniel Gordon: ‘Screen Selections and Still Lifes,’ The New York Times, November 7 |
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Epstein, Ian. “27 Must See Art Exhibits Opening This Fall,” New York Magazine, August 25 |
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“Una Sovversiva Ambiguita,” Flair Magazine, April, Issue no. 10 |
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Rabinowitz, Cay Sophie. “Shadows and Pearls,” Osmos Magazine, Winter, Issue no. 3 |
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“Goings On About Town,” The New Yorker, January 27 |
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2013 |
Cargill, Clinton. “The Top 10 Photo Books of 2013,” The 6th Floor, December 19 |
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Art21: Daniel Gordon Gets Physical (video), http://www.art21.org/newyorkcloseup/films/daniel-gordon-gets-physical/, September 27 |
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Baker, R.C. “Skin Games,” Village Voice, July 31-August 6 |
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Zhong, Fan. Stock. “Paper, Scissors,” W Magazine.com, July |
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Balhetchet, Sophie. “The Green Line,” Hotshoe Contemporary, February |
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2012 |
Winant, Carmen. “Danny & Garth.” Wax Magazine, June |
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“Next... Next... Who’s Next,” W Magazine, May |
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Barliant, Claire. “Photography Objet Manque,” Art in America, March |
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“Rip it Up and Start Again,” British Journal of Photography, February |
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2011 |
Lokke, Maria. “Daniel Gordon’s Collage Grotesques,” The New Yorker, December 29 |
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“Goings On About Town.” The New Yorker, November 28 |
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Droitcour, Brian. “Critics Picks New York: Daniel Gordon,” Artforum.com, November |
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Lozano, Ivan. “Talia Chetrit and Daniel Gordon,” Art Lies, No. 68 Spring/Summer |
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Robertson, Rebecca. “Building Pictures,” Art News, March |
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2010 |
Allen, Emma. “The New Collage: How Photographers are Rewriting Our Stories,” Modern Painters, November |
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Allen, Emma. “Pulp Fictions: A Tour Through Artist Daniel Gordon’s Studio,” Artinfo.com, October |
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Sennewald, Jens Emil. “Im Biss Der Bilder,” Art Collector, August |
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Budelis, Kristina. “Off The Shelf: Flying Pictures,” The New Yorker, August 12 |
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Sennewald, Jens Emil. “Bild-Körper: Fotografie als Form,” Photonews, June |
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Borda, Joakim. “Generation Klick,” Plaza Magazine, February |
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“Small Is Big,” Pocko Times, London |
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Tokion Magazine, collaboration with Anthony Lepore, Spring Issue |
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Weinstein, Michael. “Review: In a Paperweight,” Newcity Art, April |
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2009 |
Molina, Joanne. “Four Books That Consider The Future Of Art,” Modern Painters, December |
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Noakes, Tim. “Dazed Gets Playful With Five Artists Who Refuse To Grow Up,” Dazed and Confused, Vol. 2 Issue 80, December |
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“The Fabricated Body,” NY Arts Magazine, Vol. 14, Fall |
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Zapisek, Olga. “The Illusionists,” Chic Today, November 23 |
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Lando, Michael. “The Nudes of Dr. Moreau,” The Forward, November 20 |
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“Goings On About Town.” The New Yorker, November 16, 2009 |
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Rosenberg, Karen. “Into the Darkroom, With Pulleys, Jam and Snakes,” The New York Times, November 6 |
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Aletti, Vince. “Critics Notebook: Big Picture,” The New Yorker, November 2 |
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Schwendener, Martha. “Messing With the Medium,” Village Voice, October 14 |
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“Heeb 100,” Heeb Magazine, Issue No. 22, Fall/Winter |
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Kazakina, Katya. “MoMA Fast-Tracks Six Young Artists for ‘New Photography’ Show,” Bloomberg, March 2 |
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Philips, Brad. “Daniel Gordon Interview,” whitehotmagazine.com, March |
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Chetrit, Talia. “Daniel Gordon Interview,” toomuchchocolate.org, July |
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Libby, Brian. “Change in an Anxious World,” The Oregonian, March 13 |
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2008 |
Morgenthau, Josh. “Fresh Kills + Josh Azzarella,” The Brooklyn Rail, May |
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2007 |
Grabner, Michelle. “Critics Picks Chicago: I Am Eyebeam,” Artforum.com, November |
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Greenbaum, Ethan. “Daniel Gordon Interview,” thehighlights.org, July |
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Smith, Roberta. “Daniel Gordon: A World of Scissors and Paper That’s Captured in Photographs,” The New York Times, June 30 |
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Armetta, Amoreen. “Reviews: Daniel Gordon,” Time Out New York, June 21 |
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Martin, Courtney J. “Critics Picks New York: Daniel Gordon,” Artforum.com, May |
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Schmerler, Sarah. “Tour de force,” Time Out New York, Feb. 22 |
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2006 |
Grosz, David. “Taking Abstraction to its Logical Extreme,” New York Sun, July 12 |
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Gerig, Karen N. “Trügerische Wirklichkeiten: Daniel Gordon’s eigene Realität,” Basler Zeitung (Kulturmagazin), Basel, September 28 |
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2005 |
Schwendener, Martha. “Critics Picks New York: Handmade,” Artforum.com, January |
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“Handmade,” Village Voice Shortlist, February 2 |
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2004 |
Gerig, Karen N. “Wirklichkeit auf Zeit” Basler Zeitung (Agenda), Basel, July 8 |
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Die Besten: Kunst, Schweizer Illustrierte, Zurich, no. 28, July 5 |
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Marzahn, Alexander. “Kunst mal hundert,” Basler Zeitung (Agenda), Basel, June 17 |
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Daniel, Mike. “Daniel Gordon at Angstrom,” Dallas Morning News, March 26 |
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Terranova, Charissa N. “Faux Real,” Dallas Observer, March 18 |
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2001 |
Daniel, Mike. “Robyn O'Neil and Daniel Gordon,” Dallas Morning News, November 16 |
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PUBLICATIONS |
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2015 |
Cotton, Charlotte. Photography is Magic, New York: Aperture |
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2014 |
Under Construction: New Positions in American Photography, Amsterdam: Foam |
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Blind Spot: Issue 47, edited by Dana Faconti, Barney Kulok, and Vik Muniz |
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Still Life With Onions and Mackerel, Paris |
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2013 |
Still Lifes, Portraits & Parts, London: Mörel Books |
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Foam Talent #36, Amsterdam: Foam |
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Photographicness, C Photo, Madrid: Ivory Press |
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Invalid Format: An Anthology of Triple Canopy, Volume 3, New York: Triple Canopy |
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Petry, Michael. Nature Morte: Contemporary Artists Reinvigorate the Still-Life Tradition, London: Thames & Hudson |
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2011 |
216 Plymouth Street & Flowers and Shadows, Paris: Onestar Press |
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Blind Spot: Issue 44 |
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2010 |
Thirty-One Days, self-published |
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Photo Journal, National Geographic, December Lay Flat 02: Meta, edited by Shane Lavalette and Michael Bu |
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Lay Flat 02: Meta, edited by Shane Lavalette and Michael Buhler-Rose |
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Being Fashion, Capricious, Issue no. 11 |
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2009 |
Flying Pictures, Brooklyn: PowerHouse Books |
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Portrait Studio, Paris: Onestar Press |
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2008 |
Columbia Journal of Literature and Art, Spring Issue |
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2007 |
North Drive Press, curated by Sara Greenberger Rafferty and Matt Keegan |
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Esopus Magazine, Fall Issue |
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AWARDS |
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2014 |
Foam Paul Huf Award |
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COLLECTIONS |
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Foam Fotografiemusuem, Amsterdam, Netherlands |
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J. Paul Getty Museum, Los Angeles |
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Museum of Contemporary Art, Chicago |
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Museum of Modern Art, New York |
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Pier 24, San Francisco, CA |
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Solomon R. Guggenheim Museum, New York |
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VandenBroek Foundation, Lisse, Netherlands |
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