| BORN | |
| 1980, Boston, MA | |
| Lives and works in Brooklyn, NY | |
| EDUCATION | |
| 2006 | MFA | Yale University School of Art, New Haven, CT |
| 2003 | BA | Bard College, Annandale-on-Hudson, NY |
| SOLO AND TWO PERSON EXHIBITIONS | |
| 2019 | Houston Center for Photography, Houston, TX (forthcoming) |
| 2018 | Blue Room, James Fuentes, New York, NY |
| 2017 | Selective Color, M+B, Los Angeles, CA |
| New Canvas, James Fuentes, New York, NY | |
| Boca Raton Museum, Contemporary Photography Forum, Boca Raton, FL | |
| 2016 | Hand, Select & Invert Layer, Bolte Lang, Zurich, Switzerland |
| 2015 | Fruits et Riche Vaisselle Sur Une Table 1640-2015, One Star Press, Paris, France |
| 2014 | Shadows, Patterns, Pears, Foam Museum, Amsterdam, Netherlands |
| Screen Selections and Still Lifes, Wallspace, New York, NY | |
| The Alphabet, The Suburban, Oak Park, IL | |
| 2013 | Shadows and Pears, The Horticultural Society of New York, NY |
| The Green Line, M+B, Los Angeles, CA | |
| 2011 | Portraits and Parts, Wallspace, Still Lifes, New York, NY |
| Flowers & Shadows, Onestar Press, Paris, France | |
| Daniel Gordon and Talia Chetrit, Tony Wight Gallery, Chicago, IL | |
| 2010 | Claudia Groeflin Galerie, New York, NY |
| Thirty-One Days, Callicoon Fine Arts, Callicoon, NY | |
| 2009 | Leo Koenig Projekte, New York, NY |
| Portrait Studio, Groeflin Maag Galerie, Zurich, Switzerland | |
| 2007 | Thin Skin II, Zach Feuer Gallery, New York, NY |
| 2006 | Groeflin Maag Galerie, Basel, Switzerland |
| 2004 | Angstrom Gallery, Dallas, TX |
| Groeflin Maag Galerie, Basel, Switzerland | |
| GROUP EXHIBITIONS | |
| 2018 | Loading... Works from the Foam Collection, Foam Museum, Amsterdam, Netherlands |
| Feast for the Eyes: The Story of Food in Photography, Louisiana Art & Science Museum, Baton Rouge, LA | |
| Rose Is A Rose Is A Rose Is A Rose, Jack Hanley Gallery, New York, NY | |
| Screenspace, Nara Roesler Gallery, São Paulo, Brazil | |
| Cut! Paper Play in Contemporary Photography, The Getty Museum, Los Angeles, CA | |
| Roesler Hotel: Screenscapes, Galeria Nara Roesler, Sao Paulo, Brazil | |
| 2017 | Contemporary Photography Forum, Boca Raton Museum of Art, Boca Raton, FL |
| Inaugural Exhibition: Oliver Twist, Chapter 2, Rental Gallery, East Hampton, NY | |
| Ready. Fire! Aim., curated by DJ Hellerman, Hall Art Foundation, Reading, VT | |
| Fickle Food Upon A Shifting Plate, Curated by Tayah Leigh Barrs and organised with Laurence Owen, Studio_Leigh, London, United Kingdom | |
| 2016 | Collected, Pier 24, San Francisco, CA |
| New Builds, Josh Lilley Gallery, London, UK | |
| 2015 | Eat Abstractedly, Mary Mary, Glasgow, UK |
| 2014 | Secondhand, Pier 24, San Francisco, CA |
| Under Construction, Foam Museum, Amsterdam, Netherlands | |
| The Crystal Palace, Rachel Uffner Gallery, New York, NY | |
| Particular Pictures, The Suzanne Geiss Company, New York, NY | |
| 2013 | Reality Check, Massachusetts College of Art and Design, Boston, MA |
| Hair and Skin, Derek Eller Gallery, New York, NY | |
| Ten Years, Wallspace, New York, NY | |
| Jew York, UNTITLED, New York, NY | |
| Merge Visible, Horton Gallery, New York, NY | |
| This is the Story of America, Brand New Gallery, Milan, Italy | |
| 2012 | Reality Check, Bakalar & Paine Gallery, Boston, MA |
| Eye of Horus, Patricia Low Contemporary, Gstaad, Switzerland | |
| What Do You Believe In, New York Photo Festival, Brooklyn, NY | |
| Out of Focus, Saatchi Gallery, London, UK | |
| Screenshots, William Benton Museum of Art, Storrs, CT | |
| The Big Toe, Wallspace, New York, NY | |
| Face Time, On Stellar Rays, New York, NY | |
| State of the Art Photography, NRW-Forum, Düsseldorf, Germany | |
| 2011 | Go Figure, Dodge Gallery, New York, NY |
| The New Photograph, The Hagedorn Foundation, Atlanta, GA | |
| 2010 | Greater New York, MoMA P.S.1, Queens, NY |
| Swagger, Drag, Fit Together, Wallspace, New York, NY | |
| In a Paperweight Tony Wight Gallery, Chicago, IL | |
| Spring Fever, 106 Green, Brooklyn, NY | |
| 2009 | Museum of Modern Art, New Photography Series, New York, NY |
| Complicity, curated by Leigh Markopoulos, Rena Bransten Gallery, San Francisco, CA | |
| Derek Eller Gallery, Summer Group Show, New York, NY | |
| A Brief But Violent Episode, Sunday Gallery, New York, NY | |
| Photographic Works, Cohen and Leslie Gallery, New York, NY | |
| On From Here, Guild and Greyshkull, New York, NY | |
| All Suffering Soon To End, Callicoon Fine Arts, Callicoon, NY | |
| A Fragile Reality, Elizabeth Leach Gallery, Portland, OR | |
| 2008 | The Constructed Image, Redux Contemporary Arts Center, Charleston, SC |
| Stretching the Truth, John Michael Kohler Arts Center, Sheboygan, WI | |
| Fresh Kills, curated by David Kennedy-Cutler, Dumbo Arts Center, Brooklyn, NY | |
| Like Watching a Train Wreck, Groeflin Maag Galerie, Zurich, Switzerland | |
| 2007 | Warhol &... Kantor/Feuer Gallery, Los Angeles, CA |
| Frederieke Taylor Gallery, New York, NY | |
| I Am Eyebeam, curated by Lorelei Stewart and Melanie Schiff, Gallery 400 at the University of Illinois, Chicago, IL | |
| 2006 | Scarecrow, curated by David Hunt, Postmasters, New York, NY |
| Yale MFA Photography 2006, Baumgartner Gallery, New York, NY | |
| An Inch of Truth, Thomas Erben Gallery, New York, NY | |
| 2005 | Handmade, curated by Tim Davis, Wallspace, New York, NY |
| 2004 | Economies of Scale, curated by Pascal Spengemann, CCS Museum at Bard College, Annandale-On-Hudson, NY |
| 2003 | Buy Contortions, Taxter & Spengemann, New York, NY |
| Whim? Angstrom Gallery, Dallas, TX | |
| 2001 | Daniel Gordon and Robyn O'Neil, Angstrom Gallery, Dallas, TX |
| BIBLIOGRAPHY | |
| 2018 | Ollman, Leah. "Cut, folded, pasted: Photography takes a twist and turn in the Getty's 'Paper Play'", The Los Angeles Times, April 24 |
| 2017 | Lilly, Amy. “Art Review: ‘Ready. Fire! Aim.’at Hall Art Foundation”, Seven Days. July 05 |
| Smith, Roberta. “Daniel Gordon: New Canvas,” The New York Times. February 16 | |
| 2016 | Rosenmeyer, Aoife. “Hand, Select & Invert Layer,” Art Review, October |
| Art21: Daniel Gordon Looks Back (video), https://www.nowness.com/story/art21-daniel- gordon, July 27 | |
| 2015 | Schuman, Aaron. “Construction Sight: How a Generation of Artists is Re-Ordering the Building Blocks of Photography,” Frieze, April |
| 2014 | Slenske, Michael and James Tarmy. “Bright Prospects,” Architectural Digest, December |
| Fiske, Courtney. “Critics Picks New York: Daniel Gordon,” Artforum.com, December | |
| “Goings On About Town,” The New Yorker, December 1 | |
| Rosenberg, Karen. “Daniel Gordon: ‘Screen Selections and Still Lifes,’ The New York Times, November 7 | |
| Epstein, Ian. “27 Must See Art Exhibits Opening This Fall,” New York Magazine, August 25 | |
| “Una Sovversiva Ambiguita,” Flair Magazine, April, Issue no. 10 | |
| Rabinowitz, Cay Sophie. “Shadows and Pearls,” Osmos Magazine, Winter, Issue no. 3 | |
| “Goings On About Town,” The New Yorker, January 27 | |
| 2013 | Cargill, Clinton. “The Top 10 Photo Books of 2013,” The 6th Floor, December 19 |
| Art21: Daniel Gordon Gets Physical (video), http://www.art21.org/newyorkcloseup/films/daniel-gordon-gets-physical/, September 27 | |
| Baker, R.C. “Skin Games,” Village Voice, July 31-August 6 | |
| Zhong, Fan. Stock. “Paper, Scissors,” W Magazine.com, July | |
| Balhetchet, Sophie. “The Green Line,” Hotshoe Contemporary, February | |
| 2012 | Winant, Carmen. “Danny & Garth.” Wax Magazine, June |
| “Next... Next... Who’s Next,” W Magazine, May | |
| Barliant, Claire. “Photography Objet Manque,” Art in America, March | |
| “Rip it Up and Start Again,” British Journal of Photography, February | |
| 2011 | Lokke, Maria. “Daniel Gordon’s Collage Grotesques,” The New Yorker, December 29 |
| “Goings On About Town.” The New Yorker, November 28 | |
| Droitcour, Brian. “Critics Picks New York: Daniel Gordon,” Artforum.com, November | |
| Lozano, Ivan. “Talia Chetrit and Daniel Gordon,” Art Lies, No. 68 Spring/Summer | |
| Robertson, Rebecca. “Building Pictures,” Art News, March | |
| 2010 | Allen, Emma. “The New Collage: How Photographers are Rewriting Our Stories,” Modern Painters, November |
| Allen, Emma. “Pulp Fictions: A Tour Through Artist Daniel Gordon’s Studio,” Artinfo.com, October | |
| Sennewald, Jens Emil. “Im Biss Der Bilder,” Art Collector, August | |
| Budelis, Kristina. “Off The Shelf: Flying Pictures,” The New Yorker, August 12 | |
| Sennewald, Jens Emil. “Bild-Körper: Fotografie als Form,” Photonews, June | |
| Borda, Joakim. “Generation Klick,” Plaza Magazine, February | |
| “Small Is Big,” Pocko Times, London | |
| Tokion Magazine, collaboration with Anthony Lepore, Spring Issue | |
| Weinstein, Michael. “Review: In a Paperweight,” Newcity Art, April | |
| 2009 | Molina, Joanne. “Four Books That Consider The Future Of Art,” Modern Painters, December |
| Noakes, Tim. “Dazed Gets Playful With Five Artists Who Refuse To Grow Up,” Dazed and Confused, Vol. 2 Issue 80, December | |
| “The Fabricated Body,” NY Arts Magazine, Vol. 14, Fall | |
| Zapisek, Olga. “The Illusionists,” Chic Today, November 23 | |
| Lando, Michael. “The Nudes of Dr. Moreau,” The Forward, November 20 | |
| “Goings On About Town.” The New Yorker, November 16, 2009 | |
| Rosenberg, Karen. “Into the Darkroom, With Pulleys, Jam and Snakes,” The New York Times, November 6 | |
| Aletti, Vince. “Critics Notebook: Big Picture,” The New Yorker, November 2 | |
| Schwendener, Martha. “Messing With the Medium,” Village Voice, October 14 | |
| “Heeb 100,” Heeb Magazine, Issue No. 22, Fall/Winter | |
| Kazakina, Katya. “MoMA Fast-Tracks Six Young Artists for ‘New Photography’ Show,” Bloomberg, March 2 | |
| Philips, Brad. “Daniel Gordon Interview,” whitehotmagazine.com, March | |
| Chetrit, Talia. “Daniel Gordon Interview,” toomuchchocolate.org, July | |
| Libby, Brian. “Change in an Anxious World,” The Oregonian, March 13 | |
| 2008 | Morgenthau, Josh. “Fresh Kills + Josh Azzarella,” The Brooklyn Rail, May |
| 2007 | Grabner, Michelle. “Critics Picks Chicago: I Am Eyebeam,” Artforum.com, November |
| Greenbaum, Ethan. “Daniel Gordon Interview,” thehighlights.org, July | |
| Smith, Roberta. “Daniel Gordon: A World of Scissors and Paper That’s Captured in Photographs,” The New York Times, June 30 | |
| Armetta, Amoreen. “Reviews: Daniel Gordon,” Time Out New York, June 21 | |
| Martin, Courtney J. “Critics Picks New York: Daniel Gordon,” Artforum.com, May | |
| Schmerler, Sarah. “Tour de force,” Time Out New York, Feb. 22 | |
| 2006 | Grosz, David. “Taking Abstraction to its Logical Extreme,” New York Sun, July 12 |
| Gerig, Karen N. “Trügerische Wirklichkeiten: Daniel Gordon’s eigene Realität,” Basler Zeitung (Kulturmagazin), Basel, September 28 | |
| 2005 | Schwendener, Martha. “Critics Picks New York: Handmade,” Artforum.com, January |
| “Handmade,” Village Voice Shortlist, February 2 | |
| 2004 | Gerig, Karen N. “Wirklichkeit auf Zeit” Basler Zeitung (Agenda), Basel, July 8 |
| Die Besten: Kunst, Schweizer Illustrierte, Zurich, no. 28, July 5 | |
| Marzahn, Alexander. “Kunst mal hundert,” Basler Zeitung (Agenda), Basel, June 17 | |
| Daniel, Mike. “Daniel Gordon at Angstrom,” Dallas Morning News, March 26 | |
| Terranova, Charissa N. “Faux Real,” Dallas Observer, March 18 | |
| 2001 | Daniel, Mike. “Robyn O'Neil and Daniel Gordon,” Dallas Morning News, November 16 |
| PUBLICATIONS | |
| 2015 | Cotton, Charlotte. Photography is Magic, New York: Aperture |
| 2014 | Under Construction: New Positions in American Photography, Amsterdam: Foam |
| Blind Spot: Issue 47, edited by Dana Faconti, Barney Kulok, and Vik Muniz | |
| Still Life With Onions and Mackerel, Paris | |
| 2013 | Still Lifes, Portraits & Parts, London: Mörel Books |
| Foam Talent #36, Amsterdam: Foam | |
| Photographicness, C Photo, Madrid: Ivory Press | |
| Invalid Format: An Anthology of Triple Canopy, Volume 3, New York: Triple Canopy | |
| Petry, Michael. Nature Morte: Contemporary Artists Reinvigorate the Still-Life Tradition, London: Thames & Hudson | |
| 2011 | 216 Plymouth Street & Flowers and Shadows, Paris: Onestar Press |
| Blind Spot: Issue 44 | |
| 2010 | Thirty-One Days, self-published |
| Photo Journal, National Geographic, December Lay Flat 02: Meta, edited by Shane Lavalette and Michael Bu | |
| Lay Flat 02: Meta, edited by Shane Lavalette and Michael Buhler-Rose | |
| Being Fashion, Capricious, Issue no. 11 | |
| 2009 | Flying Pictures, Brooklyn: PowerHouse Books |
| Portrait Studio, Paris: Onestar Press | |
| 2008 | Columbia Journal of Literature and Art, Spring Issue |
| 2007 | North Drive Press, curated by Sara Greenberger Rafferty and Matt Keegan |
| Esopus Magazine, Fall Issue | |
| AWARDS | |
| 2014 | Foam Paul Huf Award |
| COLLECTIONS | |
| - | |
| Foam Fotografiemusuem, Amsterdam, Netherlands | |
| J. Paul Getty Museum, Los Angeles | |
| Museum of Contemporary Art, Chicago | |
| Museum of Modern Art, New York | |
| Pier 24, San Francisco, CA | |
| Solomon R. Guggenheim Museum, New York | |
| VandenBroek Foundation, Lisse, Netherlands | |
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