BORN |
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1982, Los Angeles, CA |
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Lives and works in Los Angeles, CA |
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EDUCATION |
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2008 |
MFA | UCLA, Los Angeles, CA |
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2004 |
BFA | Cooper Union, New York, NY |
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SOLO EXHIBITIONS |
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2021 |
Erarta Museum of Contemporary Art, Saint Petersburg, Russia (forthcoming) |
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Forest Lawn Museum, Los Angeles, CA (forthcoming) |
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2020 |
Vatnajökull, M+B, Los Angeles, CA |
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Yossi Milo Gallery, New York, NY (forthcoming) |
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2019 |
Rocks and Eagles, Newark Museum, Newark, NJ |
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2018 |
AgX.Hb, M+B, Los Angeles, CA |
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2017 |
1864, Jackson Fine Art, Atlanta, GA |
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2016 |
River and Sky, Yossi Milo, New York, NY |
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2015 |
More Pictures from Wai’anae, Praz-Delavallade / Vedovi Galerie, Brussels, Belgium |
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Pictures from Wai’anae, M+B, Los Angeles, CA |
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2014 |
Woodblocks, Praz-Delavallade, Paris, France |
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Matthew Brandt: Sticky/Dusty/West, Virginia Museum of Contemporary Art, VA |
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Excavations, Yossi Milo Gallery, New York, NY |
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Lakes and Reservoirs, SCAD Museum of Art, Savannah, GA |
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Matthew Brandt: Sticky/Dusty/Wet, Columbus Museum of Art, Columbus, OH |
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2013 |
Velvet and Bubble Wrap, M+B, Los Angeles, CA |
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Water & Polaroid, Highlight Gallery, San Francisco, CA |
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Matthew Brandt: Sticky/Dusty/Wet, Columbus Museum of Art, Columbus, OH |
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2012 |
Lakes, Trees, and Honeybees, Yossi Milo Gallery, New York, NY |
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2011 |
Two Ships Passing, M+B, Los Angeles, CA |
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2009 |
Chocolate, Bees, Dust, Sperm, and Sprinkles, Cardwell Jimmerson Gallery, Culver City, CA |
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GROUP EXHIBITIONS |
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2020 |
On Earth, Technology and Photography in the Natural World, Foam Fotoraphiemuseum, Amsterdam, Netherlands |
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2019 |
On Earth, Technology and Photography in the Natural World, Arles, les Contres De La Photographie, Arles, France |
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Back to the Future: The 19th Century in the 21st Century, Mai Mano House, Budapest, Hungary |
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Le Magasin, Praz-Delavallade, Los Angeles, CA |
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2018 |
Ansel Adams in Our Time, Museum of Fine Arts, Boston, MA (forthcoming) |
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Back to the Future: The 19th Century in the 21st Century, C/O Berlin, Berlin, Germany |
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A New Way of Walking, Timothy Taylor, London, UK |
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Out of the Crate: New Gifts and Purchases, Detroit Institute of Arts, Detroit, MI |
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Evolver, LA Louver, Los Angeles, CA |
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Back to the Future: The 19th Century in the 21st Century, FOAM Museum, Amsterdam, Netherlands |
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New Territory: Landscape Photography Today, Denver Art Museum, Denver, CO |
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A Fire That No Water Could Put Out: Civil Rights Photography, High Museum of Art, Atlanta, GA |
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Look Again: Collecting 45 Years of Photograph, High Museum of Art, Atlanta, GA |
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C’est Comme Vous Voulez, Praz-Delavallade, Los Angeles, CA |
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2017 |
Sonne auf Papier. Kunst Experiment Fotografie, Dresden City Museum, Dresden, Germany |
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I Love L.A., Praz-Delavallade, Los Angeles, CA |
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Prix Pictet: Disorder (touring exhibition) Palau Robert, Barcelona, Spain (2017); The Museum Of Photographic Arts, San Diego, CA (2017); Kunstverein, Hamburg, Germany (2016); The Gallery of Photography, Dublin, Ireland (2016); Bank Gallery, Tokyo, Japan (2016); LUMA Westbau, Zurich, Switzerland (2016) International Red Cross and Red Cresent Museum, Geneva, Switzerland (2016); Municipal Gallery of Athens, Greece (2016); CAB Art Center, Brussels, Belgium (2016); MAXXI, Rome, Italy (2016); Somerset House, London, England (2016): Musee d’Art Moderne de la Ville Paris, France (2015) |
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2016 |
The Poetics of Place: Contemporary Photographs from the Met Collection, The Metropolitan Museum of Art, New York, NY |
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New Matter: Recent Forms of Photography, Art Gallery of New South Wales, Sydney, Australia |
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PLEASE HAVE ENOUGH ACID IN THE DISH!, Organized by Vinny Dotolo, M+B, Los Angeles, CA |
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Boundless: A California Invitational, Museum of Photographic Arts, San Diego, CA |
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Retro-spective: Analog Photography in a Digital World, Museum of Contemporary Art, Jacksonville, FL |
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Material Matters: Water, Pigment, and Light, Van Every Gallery, Davidson College, Davidson, NC |
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Touch the Sky: Art and Astronomy curated by Mary-Kay Lombino, Vassar College, Poughkeepsie, NY |
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Sun on Paper, Städtischen Galerie Nordhorn, Nordhorn, Germany |
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A Matter of Memory: Photography as Object in the Digital Age, George Eastman Museum, Rochester, NY |
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What’s Up, Soho Revue, London, UK |
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Disorder, Somerset House, London, UK |
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2015 |
Disorder, Musée d’Art Moderne de la Ville de Paris, France |
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The Magic Medium, Los Angeles County Museum of Art, Los Angeles, CA |
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Russian Doll, M+B, Los Angeles, CA |
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Mediated Images, Brand New Gallery, Milan, Italy |
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Thief Among Thieves, Museum of Contemporary Art Denver, Denver, CO |
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Light, Paper, Process, J. Paul Getty Museum, Los Angeles, CA |
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Second Chances, Aspen Art Museum, Aspen, CO |
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Sitter, Canzani Center Gallery, Columbus College of Art & Design, Columbus, OH |
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Anti-Grand: Contemporary Perspectives on Landscape, Joel and Lila Harnett Museum of Art, University of Richmond Museums, VA |
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2014 |
Of My Affection, Anonymous Gallery, Mexico City |
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Modern Alchemy: Experiments in Photography, The Heckscher Museum of Art, Huntington, NY |
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Me and Benjamin, curated by M+B, Galerie Xippas, Paris, France |
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Transformational Imagemaking: Handmade Photography Since 1960. Contemporary Photography and Visual Arts Center, Buffalo, NY |
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Homeland [IN]security: Vanishing Dreams, Dorsky Gallery, Long Island City, NY |
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Phantoms in the Dirt, Museum of Contemporary Photography, Columbia College, Chicago, IL |
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Process Priority, Steven Zevitas Gallery, Boston, MA |
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The Fifth Season, James Cohan Gallery, New York, NY |
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After Ansel Adams, Museum of Photographic Arts in San Diego, CA |
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Beyond Earth Art, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY |
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NADA New York 2014, NY |
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Process, Photo Center Northwest, Seattle, WA |
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Out of the Ordinary, The Bascom: Center for the Visual Arts, Highlands, NC |
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Trouble with the Index, California Museum of Photography, Riverside, CA |
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What is a Photograph?, The International Center of Photography, New York, NY |
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Substance, Timothy Taylor Gallery, London, UK |
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2013 |
The Polaroid Years: Instant Photography and Experimentation, Norton Museum of Art, West Palm Beach, FL |
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Reality Check, Massachusetts College of Art and Design, Boston, MA |
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Currents: Photographs from the collection of Allen Thomas Jr., Contemporary Art Museum (CAM), Raleigh, NC |
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Land Marks, Metropolitan Museum of Art, New York, NY |
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Reality Check, Bakalar & Paine Gallery, Boston, MA |
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Dwelling in Erasure, Charlie James Gallery, Los Angeles, CA |
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Unique, Von Lintel Gallery, New York, NY |
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Rogue Wave, L.A. Louvre, Los Angeles, CA |
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Staking Claim: A California Invitational, Museum of Photographic Arts, San Diego, CA |
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The Black Mirror, Diane Rosenstein Fine Art, Los Angeles, CA |
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2012 |
After Image: The Photographic Process(ed), Cerritos College Art Gallery, Norwalk, CA |
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Group Show in New Photography in Palma, Mallorca Landings, Palma de Mallorca, Spain |
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Surface Tension, The Center for Photography, Woodstock, NY |
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MOTA, See Line Gallery, Los Angeles, CA |
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Photography Is, Higher Pictures, New York, NY |
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The Crystal Chain, Invisible Exports, New York, NY |
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2011 |
Every Photograph Is In Visible, Churner and Churner, New York, NY |
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Assembly: Eight Emerging Photographers, Fred Torres Collaborations, New York, NY |
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Of Memory and Time, Hendershot Gallery, New York, NY |
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2010 |
Bedtime for Bonzo, M+B, Los Angeles, CA |
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Genre Studies, Cardwell Jimmerson Gallery, Culver City, CA |
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Edges of Light, Arts Benicia, Benicia, CA |
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Assembly: Eight Emerging Photographers from Southern California Fotofest 2010 Biennial, Houston, TX |
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matrix, Philadelphia Photo Arts Center, Philadelphia, PA |
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Capitalism in Question (Because It Is), Pitzer Art Galleries, Pitzer College, Claremont, CA |
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2009 |
Shock and Awe, Gatov Galleries, California State University, Long Beach, CA |
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Chef’s Theory, 533 Gallery, Los Angeles, CA |
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2008 |
2008 Torrance Juried Art Exhibition, Torrance Art Museum, Torrance, CA |
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Some Young LA Artists, Cardwell Jimmerson Gallery, Culver City, CA |
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Laboratory, UCLA Thesis Exhibition, Wight Gallery (UCLA Broad Art Center), Los Angeles, CA |
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2007 |
Greater Los Angeles Masters of Fine Art Exhibition, CSU, Long Beach, CA |
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The Most Curatorial Biennial of the Universe, Apexart, New York, NY |
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2005 |
Art Auction of the ‘Peter Coopers’, Cooper Union, New York, NY |
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2004 |
Thesis Exhibition, Cooper Union, New York, NY |
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2001 |
Ryman-Carroll Foundation Group Exhibition, Gallery 825, Los Angeles, CA |
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Post-Ryman Group Exhibition, Schomburg Gallery, Santa Monica, CA |
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2000 |
Emerging Young Artist Fund and Scholarship Exhibition, Colburn Performing Art Centers, Los Angeles, CA |
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1999 |
Pro and Protégés, Barnsdall Metropolitan Art Gallery, Los Angeles, CA |
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SPECIAL PROJECTS |
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2016 |
Matthew Brandt video presentation, in collaboration with Julianna Barwick at the Museum of Modern Art, New York, NY |
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Saturday Nights at The Getty: Julianna Barwick and Matthew Brandt, The Getty Museum, CA |
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SELECTED BIBILIOGRAPHY |
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2018 |
The Voyages Issue,” The New York Times Magazine." September 21 (cover) |
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Cascone, Sarah. “The Detroit Institute of Arts Has Bought Murky Photographs That an Artist Developed in Water From Flint, Michigan.” Artnet, August 8 |
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Delson, Susan. "In Denver, Landscapes Soaked, Digitized and Irradiated." The Wall Street Journal, June 8 |
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Keats, Jonathan. "Printed With Tap Water From Flint, Michigan, These Pictures Show Why Film Photography Still Matters." Forbes, February 26 |
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Tsomondo, Dzana. "Matthew Brandt Uses Unique Silver printing Technique for New Series." Photo District News, February 9 |
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2017 |
Ollman, Leah. "Rematerializing Photography." Art in America, June 1 |
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Cash, Stephanie. "Q&A with Photographer Matthew Brandt." Burnaway, May 26 |
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"Readings," Harper's, January |
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2016 |
Yerekbakan, Osman Can. “Matthew Brandt,” Artspeak, November |
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Sanchez, Gabriel H. “Matthew Brandt’s Poison Pictures,” Aperture, December 13 |
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Hodara, Susan. “At Vassar, Seeing the Heavens with Paint, Pencil and Cocaine,” The New York Times, June 4 |
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Whalen, Danielle. “5 Must-See Booths at the AIPAD Photography Show 2016,” Artinfo, April 14 |
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2015 |
Harren, Natilee. “Light, Paper, Process: Reinventing Photography.” Artforum, September |
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Ollman, Leah. “Light, Paper, Process, an Inventive Subversion of Photography,” Los Angeles Times, May 1 |
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Riefe, Jordan. “Lights! Camera! Bodily Fluids! Photographers bend the rules,” The Guardian. April 17 |
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2014 |
Lester, Paul. “Review: Matthew Brant,” Modern Painters, April 5 |
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"Matthew Brandt,” The New Yorker, May 5 |
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Bates, Rebecca. “Artist Matthew Brandt Revives the History of Early Photography,” Architectural Digest 27 March 27 |
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Sanchez, Gabriel. “What is a Photograph?”, Artforum, March 1 |
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Li, Jennifer. “Matthew Brandt at M+B,” Art in America, March |
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2013 |
“20 Artists to Collect Now,” Architectural Digest, December |
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Bramowitz, Julie. “Matthew Brandt and a Handful of Dust,” Interview Magazine, November, 15 |
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“THR Art Issue: Top 10 L.A. Artists Coveted by Hollywood,” The Hollywood Reporter, November 4 |
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“50 Under 50: The Next Most Collectible Artists,” Art+Auction, June |
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Westerbeck, Colin. “Top Finds at Paris Photo Los Angeles,” Art in America, May 16 |
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Gardiner, Ross. “Beauty in the Bread Down,” LA Canvas |
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Johnson, Ken. “AIPAD Photography Show,” The New York Times, April 5 |
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2012 |
Lowry, Vicky. “Matthew Brandt,” Elle Décor, November |
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Deitch, Jeffery and Close, Chuck. “Top 30 Under 30 in Art & Design,” Forbes |
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Di Nardo, Arianne, “Mixed media: Matthew Brandt,” Lay Flat, October 8 |
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“Matthew Brandt: Lakes, Trees, and Honeybees,” Le Journal de la Photographie, July 21 |
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“Matthew Brandt,” Time Out New York, July 5 |
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Dykstra, Jean. “Matthew Brandt,” Photograph Magazine, July/August |
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Gopnik, Blake. “Self-portraits with Buzz,” The Daily Beast, June 28 |
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“Matthew Brandt,” Museé Magazine, June |
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“Goings on about Town: Art,” The New Yorker, June, 19 |
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Shaheen, Susan. “Water Works: Matthew Brandt’s Experimental Landscapes,” The New Yorker, June 5 |
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Laluyan, Oscar. “The Secret Life of Photographs by Brandt,” Arte Fuse, May 30 |
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Johnson, Elizabeth. “Lakes, Trees and Honeybees,” CNN Photos, May 23 |
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Rothman, Lily. “Lakes, Trees and Honeybees: Matthew Brandt at Yossi Milo Gallery,” Time Light Box, May 22 |
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“Matthew Brandt’s Lakes, Trees and Honeybees at Yossi Milo Gallery,” The Huffington Post, May 8 |
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Schwendener, Martha. “Closing Generation Gaps,” The New York Times, March 29 |
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2011 |
Diehl, Travis. “Review: Matthew Brandt at M+B,” Modern Painters, December 2011/January 2012 Issue |
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“The 100 Best Fall Shows: Matthew Brandt at M+B,” Modern Painters, September |
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Cheh, Carol.“Best Art I Saw all Week: Matthew Brandt’s Electric Photographs in ‘Two Ships Massing’ at M+B: Don’t Touch or You’ll Get shocked,” LA Weekly, September 28 |
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“Goings on about Town: Art,” The New Yorker, August 2 |
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Aletti, Vince. “Assembly: Eight Emerging Photographers from Southern California,” The New Yorker, April 11 |
2010 |
“Contemporary U.S. Photography” Schilt Publishing, Amsterdam |
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“Capitalism in Question (Because It Is),” Pitzer College Pres |
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Davies, Stacy, “Really Want the Red Pill,” Inland Empire Weekly, February |
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“Hands Up,” Self-published |
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2009 |
Choate, Andrew. “Review of Chocolate, bees, dust, sperm & sprinkles at Cardwell Jimmerson” Art ltd., July/August |
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2008 |
Cunningham, Mark. “Surface Tension: Matthew Brandt’s Lakes and Reservoirs 2,” Octopus, volume 4, Fall |
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PUBLICATIONS |
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2015 |
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2014 |
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2013 |
Dust Rising: Public Library, Los Angeles: Golden Spike Press |
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COLLECTIONS |
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J. Paul Getty Museum, Los Angeles, CA |
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Metropolitan Museum of Art, New York, NY |
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North Carolina Museum of Art, NC |
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The Brooklyn Museum of Art, NY |
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The Columbus Museum of Art, OH |
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Denver Art Museum, Denver, CO |
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Art Gallery of New South Wales, Sydney, Australia |
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Guggenheim Collection |
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Hammer Museum, Los Angeles, CA |
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The High Museum, Atlanta, GA |
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Jimenez – Colon Collection, Ponce, Puerto Rico |
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Bidwell Projects, Cleveland, OH |
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Los Angeles County Museum of Art, Los Angeles, CA |
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The Mohn Family Foundation |
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The Sir Elton John Photography Collection |
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Statoil Collection, Stamford, Connecticut |
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UBS Art Collection, New York, NY |
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The Wieland Collection, Atlanta, GA |
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Cincinnati Art Museum, Cincinnati, OH |
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George Eastman Museum, Rochester, NY |
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Royal Danish Library, National of Photography, Copenhagen, Denmark |
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Virginia Museum of Fine Arts, Richmond, VA |
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George Eastman Museum, Rochester, NY |
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Art in Embassies, US Department of State, Washington, DC |
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Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY |
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National Gallery of Art, Washington, DC |
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Norton Museum of Art, West Palm Beach, FL |
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