| BORN | 1977, Regina, Saskatchewan, Canada |
| EDUCATION | |
| 2006 | BFA in Photography, Emily Carr University of Art and Design, Vancouver, Canada |
| SOLO & TWO PERSON EXHIBITIONS | |
| 2019 | M+B Gallery, Los Angeles, CA (forthcoming) |
| 2018 | Iterations (I), Galerie Antoine Ertaskiran, Montreal, Canada |
| 2017 | Pictures for Women, Higher Pictures, New York, NY |
| 2016 | M+B Gallery, Los Angeles, CA |
| Transmutations, Galerie Antoine Ertaskiran, Montreal, Canada | |
| 2015 | Wild Permutations, Oakville Galleries at Centennial Square, Oakville, Ontario, Canada |
| Custom Colour, Higher Pictures, New York, NY | |
| Wild Permutations, MOCA Cleveland, Cleveland, OH | |
| 2014 | Jessica Eaton: New Works, Jessica Bradley Gallery, Toronto, Canada |
| Ad Infinitum, The Photographers' Gallery/The Hospital Club, London, UK | |
| 2013 | Flash: Jessica Eaton, California Museum of Photography, Riverside, CA |
| Hyères 2013: International Festival of Fashion and Photography, Hyères, France | |
| 2012 | Polytopes, M+B Gallery, Los Angeles, CA |
| Squeezed Coherent States, Clint Roenisch Gallery, Toronto, Canada | |
| 2011 | Cubes for Albers and LeWitt, Higher Pictures, New York, NY |
| The Whole is Greater Than The Sum of The Parts: Lucas Blalock and Jessica Eaton, Contact Gallery /Contact Photography Festival 2011, Toronto, Canada | |
| 2010 | Strata: New works by Jessica Eaton, Red Bull 381 Projects, Toronto, Canada |
| Umbra Penumbra, PUSH Galerie, Montreal, Canada | |
| 2009 | Variables, LES Gallery, Vancouver, Canada |
| Photographs, Hunter and Cook HQ, Toronto, Canada | |
| GROUP EXHIBITIONS | |
| 2018 | Fulhame's Map, Nanaimo Art Gallery, Nanaimo, BC |
| Made Still, Equinox Gallery, Vancouver, BC | |
| 2017 | Canadian Biennial, National Gallery Of Canada, Ottowa, Canada |
| 2016 | There is nothing I could say that I haven’t thought before, in collaboration with Cynthia Diagnault, Stems Gallery, Brussels, Belgium |
| 2015 | Russian Doll, M+B, Los Angeles, CA |
| Mediated Images, Brand New Gallery, Milan, Italy | |
| Are You Experienced?, Art Gallery of Hamilton, Hamilton, Canada | |
| Under Construction – New Positions in American Photography, Pioneer Works Center for Art and Innovation, Brooklyn, NY | |
| Process and Abstraction, Cleveland Museum of Art's Transformer Station, Cleveland, OH | |
| 2014 | Eleven Rivington, New York, NY |
| Me and Benjamin, curated by M+B, Galerie Xippas, Paris, France | |
| Who’s Afraid of Purple, Orange and Green?, Dunlop Art Gallery, Regina, Canada | |
| Under Construction – New Positions in American Photography, Foam, Amsterdam, The Netherlands | |
| Cut Fold Rewrite, Feldbuschwiesner, Berlin, Germany | |
| Speaking Through Paint: Hans Hofmann's Legacy Today, Lori Bookstein Fine Art, New York, NY | |
| 2013 | With a Trace: Photographs of Absence, Akron Art Museum, OH |
| Circling the Inverse Square, Kitchener-Waterloo Art Gallery, Kitchener, Canada | |
| Color Acting, The Museum of Fine Arts, St. Petersburg, FL | |
| Color as Material, Finnish Academy of Fine Arts, FAFA Gallery, Helsinki, Finland | |
| 2012 | Attachments, The Hole, New York, NY |
| Photography is Magic, Daegu Photography Biennial, South Korea | |
| There is Something Happening Here, Bancolini Grimaldi, London, UK | |
| New Meditations, Daniel Faria Gallery, Toronto, Canada | |
| What's the Point?, Jen Bekman Gallery, New York, NY | |
| Phantasmagoria, Presentation House Gallery, Vancouver, Canada | |
| Ristruttura, ProjectB Contemporary, Milan, Italy | |
| Photography Is, Higher Pictures, New York, NY | |
| Hyères 2012: International Festival of Fashion and Photography, Hyères, France | |
| Flash Forward Festival, Boston, MA | |
| 2011 | Quebéc Triennial, Musée d'art contemporain de Montréal, Montréal, Canada |
| Foam: Talent, Foam Fotographie Museum, Amsterdam, The Netherlands | |
| Flash Forward 2011, Magenta Foundation, Toronto, Canada | |
| Always the Young Strangers, Higher Pictures, New York, NY | |
| If the Sun had a Sound it would Sound like This, Clint Roenisch Gallery, Toronto, Canada | |
| The Sum of All Colors, Sasha Wolf Gallery, New York, NY | |
| Sails, Cubes and Folds, Clint Roenisch Gallery, Toronto, Canada | |
| 2010 | Constellation Program, curated by Nicholas Brown and Catherine Dean, Art Toronto, Canada |
| 2010 Special Projects, Metro Toronto Convention Centre, Toronto, Canada | |
| Group Show TASHCEN, curated by Jon Feinstein and Amani Olu (Humble Arts), TASCHEN Book Store, New York, NY | |
| Day Glow, curated by Andrew Laumann, Nudashank Gallery, Baltimore, MD | |
| Summer Group Show, Angell Gallery, Toronto, Canada | |
| HHS Showcase, Jen Bekman Gallery, New York, NY | |
| 31 Women in Art Photography, curated by Charlotte Cotton and Jon Feinstein, Affirmation Arts and Humble Arts Foundation, New York, NY | |
| 01, Presented by 01 Magaine, curated by Redia Soltis and Jennilee Marigomen, 107 Shaw, Toronto, Canada | |
| 2009 | Mixtape, Jen Bekman Gallery, New York, NY |
| Night Vision Vol. II, Strathcona Park, Vancouver, Canada | |
| 2008 | The Hungry Ghost curated by Jay Isaac and Tony Romano, Paul Petro Project Space, Toronto, Canada |
| Up Art Contemporary Art Fair, curated by Gregory Elgstrand, Gladstone Hotel, Toronto, Canada | |
| 2007 | Incidental Geography, curated by Lee Hutzulak, Gaff Gallery, Vancouver, Canada |
| Let There Be Light, curated by Nicolas Pittman, Blanket Gallery, Vancouver, Canada | |
| Pop Philosophy, curated by Rachelle Sawatsky, Access Gallery, Vancouver, Canada | |
| PUBLIC ART PROJECTS | |
| 2011 | Cross Canada Billboards, Public Art Installation in conjunction with the Contact Photography Festival, Avenue Van Horne, Montreal, Canada |
| Flash Forward Festival 2010 : Cubes for Albers and LeWitt, Public Art Installation for the Magenta Foundation, Fairmont Battery Wharf, Boston, MA | |
| SELECTED PUBLICATIONS | |
| 2018 | Campbell, James D. “Jessica Eaton: Iterations (I) at Galerie Antoine Ertaskiran,” Whitehot Magazine, September |
| 2017 | Campbell, James D. “Color is a Verb,” Ciel Variable, no. 105, Winter |
| Knoblauch, Loring. “Jessica Eaton: Pictures for Women at Higher Pictures,” Collector Daily, February 13 | |
| Lauder, Adam. “Photogenesis: A Brief History of Light in Canada,” Border Crossings, no. 140 | |
| 2016 | Enholm, Molly. “Jessica Eaton: Critics Picks,” Art Ltd, November/December |
| Cain, Abigail. "8 Works to Collect by Canadian Artists at Art Toronto," Artsy, October 23 | |
| “Jessica Eaton’s Experimental Methods,” PDN Photo of the Day, September 27 | |
| Sandals, Leah. “25 Canadian Artists Longlisted for $50K Sobey Art Award,” Candian Art, April 13 | |
| 2015 | Knoblauch, Loring. “Jessica Eaton, Custom Colour at Higher Pictures,” Collector Daily, May 4 |
| Laurence, Robin. “Capture festival’s Jessica Eaton gives Dal Grauer Substation abstract pop,” The Georgia Straight, April 1 | |
| "Paradoxical Abstraction," Artpress, March | |
| 2014 | O’Hagan, Sean, Jessica Eaton: from 50 shades of grey to the hottest photography around, The Guardian, January 24 |
| 2013 | Horne, Alex, Jessica Eaton – Ad Infinitum, Design Week, December 12 |
| Risch, Conor, pdn’s 30 2013: Our Choice of New and Emerging Photographers to Watch, pdn, March 11 | |
| 2012 | Wagley, Catherine, Jessica Eaton: Polytopes, photograph, December |
| Moser, Gabrielle, Lesncraft: Jessica Eaton Asks Us to Think About What We See, CanadianArt, December | |
| McLellen, Ashley, Phantasmagoria: Images Unveiled, Canadian Art Online, June | |
| Smyth, Diane, Jessica Eaton Wins the Hyeres Photography Prize, British Journal of Photography, April | |
| Rothman, Lily, Jessica Eaton: Cube, Color, Cosmos, TIME Lightbox Profile, May | |
| Smyth, Diane, The Perfect Playground, British Journal of Photography, March | |
| Doran, Anne, Jessica Eaton at Higher Pictures, Art in America, March | |
| Corsano, Otino, Interview with Jessica Eaton, The Believer Online, Feb | |
| Durantini, Lorenzo, Ristruttura, The Art Writing Guild | |
| 2011 | Wallace, Doug, Top 20 Reasons to be in Canada: Jessica Eaton, Wallpaper |
| Jaeger,-Celine, Jessica Eaton Interview: Foam Talent, Foam International Photography Magazine, Issue 28 | |
| Walsh, Meeka, Jessica Eaton: New Work, Border Crossing Magazine, Volume 30, Number 3, Issue 119 | |
| Bouthillier, Rose, Jessica Eaton: Strata, C Magazine 110, Summer | |
| Cotter, Holland, Always the Young Strangers, New York Times, June 9th | |
| Alleti, Vince, Always the Young Strangers, The New Yorker, June 3rd | |
| Alleti, Vince, The Sum of All Colors, The New Yorker, May 23rd | |
| Hall, Peter, Matter: Photographers Jessica Eaton, Matthew Gamber and Bill Sullivan, Design by Mary Voorhees Meehan, Self Published with support of the Humble Arts Foundation | |
| Robertson, Rebecca, Building Pictures (and cover image), ARTNews Magazine, Volume 110, Number 3, March | |
| 2010 | Turner, Leah, Jessica Eaton, Color Magazine, Issue 8.6, December |
| Twerdy, Saelan, Strata: New Works by Jessica Eaton, Exhibition Catalogue Essay, Red Bull 381 Projects | |
| Hammond, Aaron, Avant Art: Glass Profiles The Most Exciting New Artists,Glass Magazine U.K., Issue 4, Fall | |
| Twerdy, Saelan, New Vision Revisited: The Critical Abstraction of Jessica Eaton, BlackFlash Magazine, Issue 28.1, Fall | |
| Callaghan, Lori, Shedding New Light on Photography, Montreal Gazette, May 22 | |
| Dewolfe, Stacey, Wonder at Push, Montreal Mirror, May | |
| Lavalette, Shane and Bühler-Rose, Michael: Ed. Lay Flat 02: Meta, Lay Flat Publications | |
| 2009 | Casasanta, Maryanne, Such and Such Forms, Jessica Eaton Interview , 01 Magazine, Issue 4 |
| Rodo–Vankeulen, Noel, Mystic and Magician: The Photographs of Jessica Eaton, Hunter and Cook 04, Sept | |
| Twerdy, Salean, Variables, LES Gallery, July | |
| Wolberger, Ofer, Jessica Eaton, www.horsesthink.com, April | |
| Rodo–Vankeulen, Noel, Mini Review: Jessica Eaton at Hunter and Cook, www.wecantpaint.com, April | |
| Saplys, Terese, Colour Me There, www.dailyvalue.wordpress.com, April | |
| Bekmen, Jen Tuesday Edition: Jessica Eaton, www.20x200.com, July | |
| Bernstein, A and B and RGB, www.thefuturist.ca, July | |
| 2008 | Rodo–Vankeulen, Noel, Visualizing the Invisible, www.wecantpaint.com, Augus |
| 2007 | Booth, Matt; Gray, Jonah; Hurley, Sasha: Editors, Pyramid Power, Issue 1 |
| Sawatsky, Rachelle, While Virilio Declares that 'War was my University' the Camera is the University for Eaton, Pop Philosophy Exhibition Catalogue, Access Artist Run Centre | |
| AWARDS AND GRANTS | |
| 2014 | Canada Council for the Arts, Research and Creation Project Grant |
| 2013 | Aimia | AGO Photography Prize, Canada |
| PDN 30 2013: Photographers to Watch, USA | |
| 2012 | Hyères, Photography Jury Grand Prize, France |
| 2011 | Talents, Foam International Photography Magazine, The Netherlands |
| Bright Spark Award: Flash Forward Emerging Photographers from the UK, Canada and USA, Magenta Foundation | |
| Canada Council for the Arts, Research and Creation project grant recipient "Cubes for Albers and LeWitt", Visual Arts Section | |
| Humble Arts Foundation New Photography Grant, Spring | |
| 2009 | Hey Hot Shot, Jen Bekman Projects, NY |
| 2008 | Flash Forward: Emerging Photographers from the UK, Canada and USA |
| COLLECTIONS | |
| National Gallery of Canada, Ottawa, Canada | |
| Musée d’art Contemporain de Montréal, Canada | |
| AIMIA Collection, Toronto, Canada | |
| Canadian Institute for Advanced Research, Toronto, Canada | |
| The Sir Elton John Photography Collection | |
| Hydro Québec Collection, Montréal, Canada | |
| Joddes Ltd., Toronto, Canada | |
| UBS Art Collection, New York, NY | |
| La Caisse de dépôt et placement du Québec, Montréal, Canada | |
| Bidwell Projects, Cleveland, OH | |
| BMO Art Collection, Toronto, Canada | |
| TD Bank Group Collection, Toronto, Canada | |
| RBC Royal Bank Collection, Toronto, Canada | |
| Museum of Fine Arts, St. Petersburg, FL | |
| Art Gallery of Ontario, Toronto, Canada | |
