BORN |
1977, Regina, Saskatchewan, Canada |
|
|
|
|
EDUCATION |
|
|
2006 |
BFA in Photography, Emily Carr University of Art and Design, Vancouver, Canada |
|
|
|
|
SOLO & TWO PERSON EXHIBITIONS |
|
|
2019 |
Iterations (II), M+B Gallery, Los Angeles, CA |
|
|
2018 |
Iterations (I), Galerie Antoine Ertaskiran, Montreal, Canada |
|
|
2017 |
Pictures for Women, Higher Pictures, New York, NY |
|
|
2016 |
M+B Gallery, Los Angeles, CA |
|
Transmutations, Galerie Antoine Ertaskiran, Montreal, Canada |
|
|
2015 |
Wild Permutations, Oakville Galleries at Centennial Square, Oakville, Ontario, Canada |
|
Custom Colour, Higher Pictures, New York, NY |
|
Wild Permutations, MOCA Cleveland, Cleveland, OH |
|
|
2014 |
Jessica Eaton: New Works, Jessica Bradley Gallery, Toronto, Canada |
|
Ad Infinitum, The Photographers' Gallery/The Hospital Club, London, UK |
|
|
2013 |
Flash: Jessica Eaton, California Museum of Photography, Riverside, CA |
|
Hyères 2013: International Festival of Fashion and Photography, Hyères, France |
|
|
2012 |
Polytopes, M+B Gallery, Los Angeles, CA |
|
Squeezed Coherent States, Clint Roenisch Gallery, Toronto, Canada |
|
|
2011 |
Cubes for Albers and LeWitt, Higher Pictures, New York, NY |
|
The Whole is Greater Than The Sum of The Parts: Lucas Blalock and Jessica Eaton, Contact Gallery /Contact Photography Festival 2011, Toronto, Canada |
|
|
2010 |
Strata: New works by Jessica Eaton, Red Bull 381 Projects, Toronto, Canada |
|
Umbra Penumbra, PUSH Galerie, Montreal, Canada |
|
|
2009 |
Variables, LES Gallery, Vancouver, Canada |
|
Photographs, Hunter and Cook HQ, Toronto, Canada |
|
|
|
|
GROUP EXHIBITIONS |
|
|
2018 |
Fulhame's Map, Nanaimo Art Gallery, Nanaimo, BC |
|
Made Still, Equinox Gallery, Vancouver, BC |
|
|
2017 |
Canadian Biennial, National Gallery Of Canada, Ottowa, Canada |
|
|
2016 |
There is nothing I could say that I haven’t thought before, in collaboration with Cynthia Diagnault, Stems Gallery, Brussels, Belgium |
|
|
2015 |
Russian Doll, M+B, Los Angeles, CA |
|
Mediated Images, Brand New Gallery, Milan, Italy |
|
Are You Experienced?, Art Gallery of Hamilton, Hamilton, Canada |
|
Under Construction – New Positions in American Photography, Pioneer Works Center for Art and Innovation, Brooklyn, NY |
|
Process and Abstraction, Cleveland Museum of Art's Transformer Station, Cleveland, OH |
|
|
2014 |
Eleven Rivington, New York, NY |
|
Me and Benjamin, curated by M+B, Galerie Xippas, Paris, France |
|
Who’s Afraid of Purple, Orange and Green?, Dunlop Art Gallery, Regina, Canada |
|
Under Construction – New Positions in American Photography, Foam, Amsterdam, The Netherlands |
|
Cut Fold Rewrite, Feldbuschwiesner, Berlin, Germany |
|
Speaking Through Paint: Hans Hofmann's Legacy Today, Lori Bookstein Fine Art, New York, NY |
|
|
2013 |
With a Trace: Photographs of Absence, Akron Art Museum, OH |
|
Circling the Inverse Square, Kitchener-Waterloo Art Gallery, Kitchener, Canada |
|
Color Acting, The Museum of Fine Arts, St. Petersburg, FL |
|
Color as Material, Finnish Academy of Fine Arts, FAFA Gallery, Helsinki, Finland |
|
|
2012 |
Attachments, The Hole, New York, NY |
|
Photography is Magic, Daegu Photography Biennial, South Korea |
|
There is Something Happening Here, Bancolini Grimaldi, London, UK |
|
New Meditations, Daniel Faria Gallery, Toronto, Canada |
|
What's the Point?, Jen Bekman Gallery, New York, NY |
|
Phantasmagoria, Presentation House Gallery, Vancouver, Canada |
|
Ristruttura, ProjectB Contemporary, Milan, Italy |
|
Photography Is, Higher Pictures, New York, NY |
|
Hyères 2012: International Festival of Fashion and Photography, Hyères, France |
|
Flash Forward Festival, Boston, MA |
|
|
2011 |
Quebéc Triennial, Musée d'art contemporain de Montréal, Montréal, Canada |
|
Foam: Talent, Foam Fotographie Museum, Amsterdam, The Netherlands |
|
Flash Forward 2011, Magenta Foundation, Toronto, Canada |
|
Always the Young Strangers, Higher Pictures, New York, NY |
|
|
|
If the Sun had a Sound it would Sound like This, Clint Roenisch Gallery, Toronto, Canada |
|
The Sum of All Colors, Sasha Wolf Gallery, New York, NY |
|
Sails, Cubes and Folds, Clint Roenisch Gallery, Toronto, Canada |
|
|
2010 |
Constellation Program, curated by Nicholas Brown and Catherine Dean, Art Toronto, Canada |
|
2010 Special Projects, Metro Toronto Convention Centre, Toronto, Canada |
|
Group Show TASHCEN, curated by Jon Feinstein and Amani Olu (Humble Arts), TASCHEN Book Store, New York, NY |
|
Day Glow, curated by Andrew Laumann, Nudashank Gallery, Baltimore, MD |
|
Summer Group Show, Angell Gallery, Toronto, Canada |
|
HHS Showcase, Jen Bekman Gallery, New York, NY |
|
31 Women in Art Photography, curated by Charlotte Cotton and Jon Feinstein, Affirmation Arts and Humble Arts Foundation, New York, NY |
|
01, Presented by 01 Magaine, curated by Redia Soltis and Jennilee Marigomen, 107 Shaw, Toronto, Canada |
|
|
2009 |
Mixtape, Jen Bekman Gallery, New York, NY |
|
Night Vision Vol. II, Strathcona Park, Vancouver, Canada |
|
|
2008 |
The Hungry Ghost curated by Jay Isaac and Tony Romano, Paul Petro Project Space, Toronto, Canada |
|
Up Art Contemporary Art Fair, curated by Gregory Elgstrand, Gladstone Hotel, Toronto, Canada |
|
|
2007 |
Incidental Geography, curated by Lee Hutzulak, Gaff Gallery, Vancouver, Canada |
|
Let There Be Light, curated by Nicolas Pittman, Blanket Gallery, Vancouver, Canada |
|
Pop Philosophy, curated by Rachelle Sawatsky, Access Gallery, Vancouver, Canada |
|
|
|
|
PUBLIC ART PROJECTS |
|
|
2011 |
Cross Canada Billboards, Public Art Installation in conjunction with the Contact Photography Festival, Avenue Van Horne, Montreal, Canada |
|
Flash Forward Festival 2010 : Cubes for Albers and LeWitt, Public Art Installation for the Magenta Foundation, Fairmont Battery Wharf, Boston, MA |
|
|
|
|
SELECTED PUBLICATIONS |
|
|
2018 |
Campbell, James D. “Jessica Eaton: Iterations (I) at Galerie Antoine Ertaskiran,” Whitehot Magazine, September |
|
|
2017 |
Campbell, James D. “Color is a Verb,” Ciel Variable, no. 105, Winter |
|
Knoblauch, Loring. “Jessica Eaton: Pictures for Women at Higher Pictures,” Collector Daily, February 13 |
|
Lauder, Adam. “Photogenesis: A Brief History of Light in Canada,” Border Crossings, no. 140 |
|
|
2016 |
Enholm, Molly. “Jessica Eaton: Critics Picks,” Art Ltd, November/December |
|
Cain, Abigail. "8 Works to Collect by Canadian Artists at Art Toronto," Artsy, October 23 |
|
“Jessica Eaton’s Experimental Methods,” PDN Photo of the Day, September 27 |
|
Sandals, Leah. “25 Canadian Artists Longlisted for $50K Sobey Art Award,” Candian Art, April 13 |
|
|
2015 |
Knoblauch, Loring. “Jessica Eaton, Custom Colour at Higher Pictures,” Collector Daily, May 4 |
|
Laurence, Robin. “Capture festival’s Jessica Eaton gives Dal Grauer Substation abstract pop,” The Georgia Straight, April 1 |
|
"Paradoxical Abstraction," Artpress, March |
|
|
2014 |
O’Hagan, Sean, Jessica Eaton: from 50 shades of grey to the hottest photography around, The Guardian, January 24 |
|
|
2013 |
Horne, Alex, Jessica Eaton – Ad Infinitum, Design Week, December 12 |
|
Risch, Conor, pdn’s 30 2013: Our Choice of New and Emerging Photographers to Watch, pdn, March 11 |
|
|
2012 |
Wagley, Catherine, Jessica Eaton: Polytopes, photograph, December |
|
Moser, Gabrielle, Lesncraft: Jessica Eaton Asks Us to Think About What We See, CanadianArt, December |
|
|
|
McLellen, Ashley, Phantasmagoria: Images Unveiled, Canadian Art Online, June |
|
Smyth, Diane, Jessica Eaton Wins the Hyeres Photography Prize, British Journal of Photography, April |
|
Rothman, Lily, Jessica Eaton: Cube, Color, Cosmos, TIME Lightbox Profile, May |
|
Smyth, Diane, The Perfect Playground, British Journal of Photography, March |
|
Doran, Anne, Jessica Eaton at Higher Pictures, Art in America, March |
|
Corsano, Otino, Interview with Jessica Eaton, The Believer Online, Feb |
|
Durantini, Lorenzo, Ristruttura, The Art Writing Guild |
|
|
2011 |
Wallace, Doug, Top 20 Reasons to be in Canada: Jessica Eaton, Wallpaper |
|
Jaeger,-Celine, Jessica Eaton Interview: Foam Talent, Foam International Photography Magazine, Issue 28 |
|
Walsh, Meeka, Jessica Eaton: New Work, Border Crossing Magazine, Volume 30, Number 3, Issue 119 |
|
Bouthillier, Rose, Jessica Eaton: Strata, C Magazine 110, Summer |
|
Cotter, Holland, Always the Young Strangers, New York Times, June 9th |
|
Alleti, Vince, Always the Young Strangers, The New Yorker, June 3rd |
|
Alleti, Vince, The Sum of All Colors, The New Yorker, May 23rd |
|
Hall, Peter, Matter: Photographers Jessica Eaton, Matthew Gamber and Bill Sullivan, Design by Mary Voorhees Meehan, Self Published with support of the Humble Arts Foundation |
|
Robertson, Rebecca, Building Pictures (and cover image), ARTNews Magazine, Volume 110, Number 3, March |
|
|
2010 |
Turner, Leah, Jessica Eaton, Color Magazine, Issue 8.6, December |
|
Twerdy, Saelan, Strata: New Works by Jessica Eaton, Exhibition Catalogue Essay, Red Bull 381 Projects |
|
Hammond, Aaron, Avant Art: Glass Profiles The Most Exciting New Artists,Glass Magazine U.K., Issue 4, Fall |
|
Twerdy, Saelan, New Vision Revisited: The Critical Abstraction of Jessica Eaton, BlackFlash Magazine, Issue 28.1, Fall |
|
Callaghan, Lori, Shedding New Light on Photography, Montreal Gazette, May 22 |
|
Dewolfe, Stacey, Wonder at Push, Montreal Mirror, May |
|
Lavalette, Shane and Bühler-Rose, Michael: Ed. Lay Flat 02: Meta, Lay Flat Publications |
|
|
2009 |
Casasanta, Maryanne, Such and Such Forms, Jessica Eaton Interview , 01 Magazine, Issue 4 |
|
Rodo–Vankeulen, Noel, Mystic and Magician: The Photographs of Jessica Eaton, Hunter and Cook 04, Sept |
|
Twerdy, Salean, Variables, LES Gallery, July |
|
Wolberger, Ofer, Jessica Eaton, www.horsesthink.com, April |
|
Rodo–Vankeulen, Noel, Mini Review: Jessica Eaton at Hunter and Cook, www.wecantpaint.com, April |
|
Saplys, Terese, Colour Me There, www.dailyvalue.wordpress.com, April |
|
Bekmen, Jen Tuesday Edition: Jessica Eaton, www.20x200.com, July |
|
Bernstein, A and B and RGB, www.thefuturist.ca, July |
|
|
2008 |
Rodo–Vankeulen, Noel, Visualizing the Invisible, www.wecantpaint.com, Augus |
|
|
2007 |
Booth, Matt; Gray, Jonah; Hurley, Sasha: Editors, Pyramid Power, Issue 1 |
|
Sawatsky, Rachelle, While Virilio Declares that 'War was my University' the Camera is the University for Eaton, Pop Philosophy Exhibition Catalogue, Access Artist Run Centre |
|
|
|
|
AWARDS AND GRANTS |
|
|
2014 |
Canada Council for the Arts, Research and Creation Project Grant |
|
|
2013 |
Aimia | AGO Photography Prize, Canada |
|
PDN 30 2013: Photographers to Watch, USA |
|
|
2012 |
Hyères, Photography Jury Grand Prize, France |
|
|
2011 |
Talents, Foam International Photography Magazine, The Netherlands |
|
Bright Spark Award: Flash Forward Emerging Photographers from the UK, Canada and USA, Magenta Foundation |
|
Canada Council for the Arts, Research and Creation project grant recipient "Cubes for Albers and LeWitt", Visual Arts Section |
|
Humble Arts Foundation New Photography Grant, Spring |
|
|
2009 |
Hey Hot Shot, Jen Bekman Projects, NY |
|
|
2008 |
Flash Forward: Emerging Photographers from the UK, Canada and USA |
|
|
|
|
COLLECTIONS |
|
|
|
National Gallery of Canada, Ottawa, Canada |
|
Musée d’art Contemporain de Montréal, Canada |
|
AIMIA Collection, Toronto, Canada |
|
Canadian Institute for Advanced Research, Toronto, Canada |
|
The Sir Elton John Photography Collection |
|
Hydro Québec Collection, Montréal, Canada |
|
Joddes Ltd., Toronto, Canada |
|
UBS Art Collection, New York, NY |
|
La Caisse de dépôt et placement du Québec, Montréal, Canada |
|
Bidwell Projects, Cleveland, OH |
|
BMO Art Collection, Toronto, Canada |
|
TD Bank Group Collection, Toronto, Canada |
|
RBC Royal Bank Collection, Toronto, Canada |
|
Museum of Fine Arts, St. Petersburg, FL |
|
Art Gallery of Ontario, Toronto, Canada |