| BORN | |
| 1977, Los Angeles, CA | |
| EDUCATION | |
| 2008 | MFA, UCLA, Los Angeles, CA |
| 2004 | BFA, California College of the Arts, San Francisco, CA |
| SOLO AND TWO PERSON EXHIBITIONS | |
| 2018 | Stutter Shutter, Casemore Kirkeby, San Francisco, CA |
| 2017 | Madeleine Cake, with Alika Cooper, SITUATIONS, New York, NY |
| 2016 | Body Doubles, M+B Gallery, Los Angeles, CA |
| 2015 | Flash: Whitney Hubbs, California Museum of Photography, Riverside, CA |
| 2013 | The Song Itself Is Already a Skip, M+B Gallery, Los Angeles, CA |
| SELECTED GROUP EXHIBITIONS | |
| 2018 | Screenspace, Nara Roesler Gallery, São Paulo, Brazil |
| Ami Omo, Barbara Walters Gallery, Bronxville, NY | |
| 2017 | Cammie Staros les vases communicants, Shulamit Nazarian Gallery, Los Angeles CA |
| 2016 | In the Cut, Gallery Luisotti, Santa Monica, CA |
| Icebox Project Space, Philadelphia, PA | |
| Me And My Arrow, ZieherSmith, New York, NY | |
| Charlie James GaBottom Floor, curated by Max Maslansky, Charlie James Gallery, Los Angeles, CAllery, Los Angeles, CA | |
| Either Way Gallery, Metro PCS, Los Angeles, CA | |
| Recent Acquisitions in Focus: Latent Narratives, The Getty Museum, Los Angeles, CA | |
| Lapse-Rate, disambiguation, Phil Gallery, Los Angeles, CA | |
| Recent Acquisitions, UCR/California Museum of Photography, Riverside, CA | |
| After Effects, Ballroom Marfa, Texas | |
| Vapegoat Rising, Arturo Bandini, Los Angeles, CA | |
| 2015 | New Babylon, Roberts and Tilton, Los Angeles, CA |
| Russian Doll, M+B, Los Angeles, CA | |
| Lost in a Sea of Red, The Pit, Glendale, CA | |
| Photography Sees the Surface, Higher Pictures, New York, NY | |
| Arturo Bandini, Los Angeles, CA | |
| 2014 | Galerie Xippas, curated by M+B, Paris, France |
| Ghost Shift, New Wight Gallery, Los Angeles, CA | |
| Soft Target, organized by Phil Chang and Matthew Porter, M+B, Los Angeles, CA | |
| Duckrabbit, Anat Ebgi Gallery, Los Angeles, CA | |
| Staring at the Sun, Curated by Jodie Vicenta Jacobson, Griffin Editions, Brooklyn, NY | |
| 2013 | Desire, curated by Jodie Vicenta Jacobson, Yancey Richardson Gallery, New York, NY |
| The Black Mirror, Curators: James Welling and Diane Rosenstein, Diane Rosenstein Fine Art, Los Angeles, CA | |
| 2012 | De-Mobbing: Landscape, Structure, Bioform, Headlands Center for the Arts, San Francisco, CA |
| 2011 | Eventide, Carter and Citizen, Los Angeles, CA |
| In Practice, UCLA Wight Gallery, Los Angeles, CA | |
| For A Long Time, Roberts and Tilton, Los Angeles, CA | |
| Assembly: Eight Emerging Photographers from Southern California, Fred Torres Collaborations, NYC, Curator: Edward Robinson, Los Angeles County Museum of Art | |
| 2010 | Icons and Allegories, SightSchool Gallery, Oakland, CA |
| Boneyard, Michael Maloney Fine Art, Los Angeles, CA | |
| Assembly: Eight Emerging Photographers from Southern California, FotoFest 2010 | |
| Biennial, Houston, TX, curated by Edward Robinson from the Los Angeles County Museum of Art | |
| 2009 | Harsh Terrain, Roberts and Tilton, Los Angeles, CA |
| Pacific Design Center, Carl Berg, Los Angeles, CA | |
| Just Like A Train, PHIL Gallery, Los Angeles, CA | |
| Keeper of Light, Sandroni Rey, Los Angeles, CA | |
| MFA Exhibition, Wight Gallery, UCLA, Los Angeles, CA | |
| Inside of Me, PHIL Gallery, Los Angeles, CA | |
| 2008 | BlindSpot Lab, New York Horticultural Society, New York, NY |
| Let Us Now Praise San Francisco, Curated and Commissioned by Robert Mailer Anderson, Marx & Zavattero Gallery, San Francisco, CA | |
| BIBLIOGRAPHY | |
| 2017 | MacKeith, Alex. "Crude Metaphors," Hotshoe, Winter / Spring |
| 2016 | Leifheit, Matthew. “Photographer Whitney Hubbs’ Genre-Busting Images of the Female Form,” Vice, March 19 |
| Buffenstein, Alyssa. “The Surrogate Self-Portraits of Whitney Hubbs.” Artnet News, March 18 | |
| Los Angeles Review of Books, Reproduction of five photographs in print issue, February | |
| 2015 | Musée Magazine, No. 11, April 2015 |
| Los Angeles Review of Books, Digital Review. October, Issue No. 40 (cover) | |
| The Pit, “Lost In A Sea of Red.” Ed. by Adam Miller, 2015 (exhibition catalog) | |
| Merkel-Hess, Matt, “Interview with Whitney Hubbs.” Interview by Matt Merkel Hess. Merkel Magazine, May 2015, Issue No. 1 | |
| Opie, Catherine, “Vanity Issue”, Musee Magazine, April 1, 2015 | |
| 2014 | Blalock, Lucas, “Interview with Whitney Hubbs.” Interview by Lucas Blalock, Issue Magazine, October 17, 2014. |
| Blind Spot, Ed. by Barney Kulok and Vik Muniz, Issue No. 47, 2014 | |
| Vice Magazine, “How Kohnstamm Got The Beach House,” By David Mammet, June 9, 2014 | |
| 2013 | Mohseni, Yasmine. “10 Must-See L.A. Gallery Exhibitions Opening in January,” Blouin ARTInfo, January 8, 2013 |
| 2011 | Aletti, Vince. “Assembly: Eight Emerging Photographers from Southern California,” New Yorker, Issue: 809, April 11, 2011 |
| 2010 | European Photography Spring/Summer Watriss, Wendy, and Manfred Zollner, Portfolio, 2010, Number 87, 8-9, ills. |
| FotoFest 2010 Biennial, Contemporary U.S. Photography, exhibition catalog, 2010 | |
| 2008 | “Let Us Now Praise San Francisco”, with Robert Mailer Anderson, BlindSpot, Issue 38 |
| PUBLICATIONS | |
| 2017 | Hubbs, Whitney. Woman in Motion. Los Angeles: Hesse Press |
| PUBLIC COLLECTIONS | |
| The Getty Museum, Los Angeles, CA | |
| Los Angeles County Museum of Art, Los Angeles, CA | |
| UCR/California Museum of Photography, Riverside, CA | |
| Whitney Library, New York, NY | |
| The Riot Grrrl Collection, Fales Library Special Collections, New York University, New York, NY | |
| CURATORIAL PROJECTS | |
| 2016 | Arturo Bandini, Los Angeles, CA |
| 2015 | Russian Doll, M+B Gallery, Los Angeles, CA |
