BORN |
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1977, Los Angeles, CA |
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EDUCATION |
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2008 |
MFA, UCLA, Los Angeles, CA |
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2004 |
BFA, California College of the Arts, San Francisco, CA |
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SOLO AND TWO PERSON EXHIBITIONS |
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2018 |
Stutter Shutter, Casemore Kirkeby, San Francisco, CA |
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2017 |
Madeleine Cake, with Alika Cooper, SITUATIONS, New York, NY |
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2016 |
Body Doubles, M+B Gallery, Los Angeles, CA |
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2015 |
Flash: Whitney Hubbs, California Museum of Photography, Riverside, CA |
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2013 |
The Song Itself Is Already a Skip, M+B Gallery, Los Angeles, CA |
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SELECTED GROUP EXHIBITIONS |
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2018 |
Screenspace, Nara Roesler Gallery, São Paulo, Brazil |
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Ami Omo, Barbara Walters Gallery, Bronxville, NY |
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2017 |
Cammie Staros les vases communicants, Shulamit Nazarian Gallery, Los Angeles CA |
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2016 |
In the Cut, Gallery Luisotti, Santa Monica, CA |
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Icebox Project Space, Philadelphia, PA |
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Me And My Arrow, ZieherSmith, New York, NY |
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Charlie James GaBottom Floor, curated by Max Maslansky, Charlie James Gallery, Los Angeles, CAllery, Los Angeles, CA |
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Either Way Gallery, Metro PCS, Los Angeles, CA |
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Recent Acquisitions in Focus: Latent Narratives, The Getty Museum, Los Angeles, CA |
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Lapse-Rate, disambiguation, Phil Gallery, Los Angeles, CA |
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Recent Acquisitions, UCR/California Museum of Photography, Riverside, CA |
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After Effects, Ballroom Marfa, Texas |
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Vapegoat Rising, Arturo Bandini, Los Angeles, CA |
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2015 |
New Babylon, Roberts and Tilton, Los Angeles, CA |
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Russian Doll, M+B, Los Angeles, CA |
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Lost in a Sea of Red, The Pit, Glendale, CA |
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Photography Sees the Surface, Higher Pictures, New York, NY |
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Arturo Bandini, Los Angeles, CA |
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2014 |
Galerie Xippas, curated by M+B, Paris, France |
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Ghost Shift, New Wight Gallery, Los Angeles, CA |
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Soft Target, organized by Phil Chang and Matthew Porter, M+B, Los Angeles, CA |
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Duckrabbit, Anat Ebgi Gallery, Los Angeles, CA |
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Staring at the Sun, Curated by Jodie Vicenta Jacobson, Griffin Editions, Brooklyn, NY |
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2013 |
Desire, curated by Jodie Vicenta Jacobson, Yancey Richardson Gallery, New York, NY |
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The Black Mirror, Curators: James Welling and Diane Rosenstein, Diane Rosenstein Fine Art, Los Angeles, CA |
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2012 |
De-Mobbing: Landscape, Structure, Bioform, Headlands Center for the Arts, San Francisco, CA |
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2011 |
Eventide, Carter and Citizen, Los Angeles, CA |
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In Practice, UCLA Wight Gallery, Los Angeles, CA |
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For A Long Time, Roberts and Tilton, Los Angeles, CA |
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Assembly: Eight Emerging Photographers from Southern California, Fred Torres Collaborations, NYC, Curator: Edward Robinson, Los Angeles County Museum of Art |
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2010 |
Icons and Allegories, SightSchool Gallery, Oakland, CA |
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Boneyard, Michael Maloney Fine Art, Los Angeles, CA |
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Assembly: Eight Emerging Photographers from Southern California, FotoFest 2010 |
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Biennial, Houston, TX, curated by Edward Robinson from the Los Angeles County Museum of Art |
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2009 |
Harsh Terrain, Roberts and Tilton, Los Angeles, CA |
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Pacific Design Center, Carl Berg, Los Angeles, CA |
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Just Like A Train, PHIL Gallery, Los Angeles, CA |
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Keeper of Light, Sandroni Rey, Los Angeles, CA |
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MFA Exhibition, Wight Gallery, UCLA, Los Angeles, CA |
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Inside of Me, PHIL Gallery, Los Angeles, CA |
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2008 |
BlindSpot Lab, New York Horticultural Society, New York, NY |
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Let Us Now Praise San Francisco, Curated and Commissioned by Robert Mailer Anderson, Marx & Zavattero Gallery, San Francisco, CA |
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BIBLIOGRAPHY |
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2017 |
MacKeith, Alex. "Crude Metaphors," Hotshoe, Winter / Spring |
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2016 |
Leifheit, Matthew. “Photographer Whitney Hubbs’ Genre-Busting Images of the Female Form,” Vice, March 19 |
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Buffenstein, Alyssa. “The Surrogate Self-Portraits of Whitney Hubbs.” Artnet News, March 18 |
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Los Angeles Review of Books, Reproduction of five photographs in print issue, February |
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2015 |
Musée Magazine, No. 11, April 2015 |
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Los Angeles Review of Books, Digital Review. October, Issue No. 40 (cover) |
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The Pit, “Lost In A Sea of Red.” Ed. by Adam Miller, 2015 (exhibition catalog) |
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Merkel-Hess, Matt, “Interview with Whitney Hubbs.” Interview by Matt Merkel Hess. Merkel Magazine, May 2015, Issue No. 1 |
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Opie, Catherine, “Vanity Issue”, Musee Magazine, April 1, 2015 |
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2014 |
Blalock, Lucas, “Interview with Whitney Hubbs.” Interview by Lucas Blalock, Issue Magazine, October 17, 2014. |
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Blind Spot, Ed. by Barney Kulok and Vik Muniz, Issue No. 47, 2014 |
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Vice Magazine, “How Kohnstamm Got The Beach House,” By David Mammet, June 9, 2014 |
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2013 |
Mohseni, Yasmine. “10 Must-See L.A. Gallery Exhibitions Opening in January,” Blouin ARTInfo, January 8, 2013 |
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2011 |
Aletti, Vince. “Assembly: Eight Emerging Photographers from Southern California,” New Yorker, Issue: 809, April 11, 2011 |
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2010 |
European Photography Spring/Summer Watriss, Wendy, and Manfred Zollner, Portfolio, 2010, Number 87, 8-9, ills. |
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FotoFest 2010 Biennial, Contemporary U.S. Photography, exhibition catalog, 2010 |
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2008 |
“Let Us Now Praise San Francisco”, with Robert Mailer Anderson, BlindSpot, Issue 38 |
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PUBLICATIONS |
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2017 |
Hubbs, Whitney. Woman in Motion. Los Angeles: Hesse Press |
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PUBLIC COLLECTIONS |
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The Getty Museum, Los Angeles, CA |
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Los Angeles County Museum of Art, Los Angeles, CA |
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UCR/California Museum of Photography, Riverside, CA |
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Whitney Library, New York, NY |
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The Riot Grrrl Collection, Fales Library Special Collections, New York University, New York, NY |
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CURATORIAL PROJECTS |
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2016 |
Arturo Bandini, Los Angeles, CA |
2015 |
Russian Doll, M+B Gallery, Los Angeles, CA |