BORN |
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1988, London, UK |
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Lives and works in Los Angeles, CA |
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EDUCATION |
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2014 |
MFA, University of Southern California, Los Angeles, CA |
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2011 |
BA, Goldsmiths University, London, UK |
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2010 |
Foundation Studies | Byam Shaw School of Fine Art, London, UK |
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SOLO EXHIBITIONS |
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2020 |
Hollyhock House, Barnsdall Art Park Foundation, Los Angeles, CA (forthcoming) |
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perfectly round, as we left them, Fondazione Arnaldo Pomodoro, Milan, Italy (forthcoming) |
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2019 |
Bella donna, Nina Johnson, Miami, FL |
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belly room, Soft Opening, London, UK |
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2017 |
f o r e p l a y, M+B, Los Angeles, CA |
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2016 |
Installation: The Poet and The Critic, and the missing, curated by Public Fiction, The Museum of Contemporary Art, Los Angeles, CA |
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2015 |
Vitrine, JOAN, Los Angeles, CA |
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2014 |
AUTOBODY, MFA thesis show at the Gayle & Ed Roski MFA Gallery, Los Angeles, CA |
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GROUP EXHIBITIONS |
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2019 |
Sculpture-Lampe, Soft Opening, London, UK |
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Holly Coulis, Nevine Mahmoud & Christina Ramberg, Simon Lee Gallery, Hong Kong |
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Math Bass, Nevine Mahmoud, The Gallery at El Centro, Los Angeles, CA |
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Reductive Seduction, CHART, New York, NY |
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2018 |
The Artist is Present, curated by Maurizio Cattelan, Yuz Museum, Shanghai, China |
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Common Forms, Peana Projects, Monterrey, Mexico |
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Go, Soft Opening, Piccadilly Circus, UK |
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MADEMOISELLE, Centre Régional D’art Contemporain Occitanie, Sète, France |
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Paradise, organized by Edgar Bryan and Adrianne Rubenstein, Night Gallery, Los Angeles, CA |
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Gut Friends, Porch Gallery Ojai, Ojai, CA |
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Dragon Polishes the Pearl, Arturo Bandini, Los Angeles, CA |
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I Had the Landscape in my Arms, Josh Lilley Gallery, London, UK |
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Tragedy Plus Time, Roberts Projects, Los Angeles, CA |
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Body So Delicious, Reyes Projects, Detroit, MI |
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All Hands On Deck, Otis College Of Art and Design, Los Angeles, CA |
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Nerve Center, The Pit, Los Angeles, CA |
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Dreamers Awake: Women Artists After Surrealism, White Cube, London, UK |
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Seven Sisters, Kasia Michalski Gallery, Warsaw, Poland |
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2016 |
An Uncanny Order, Jessica Silverman, San Francisco, CA |
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Sim City, Ballroom Marfa, Marfa, TX |
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PLEASE HAVE ENOUGH ACID IN THE DISH!, M+B, Los Angeles, CA |
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Four Square in the Land of Milk and Honey, BBQLA, Los Angeles, CA |
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Brancusi 2.0, Arturo Bandini, Los Angeles, CA |
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Roman à Clef And/Or The Appetite Of The Chef, Rainbow in Spanish, Los Angeles, CA |
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Three Isolated Effects, Lock Up International, Los Angeles, CA |
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The Lasting Concept, Portland Institute of Contemporary Art, Portland, OR |
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2015 |
Motorfruit, Blood Gallery, New York, NY |
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Tickles, 356 Mission, Los Angeles, CA |
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Deep Dark Submersion, Romer Young Gallery, San Francisco, CA |
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New Babylon, Roberts & Tilton, Los Angeles, CA |
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Debris, James Fuentes, New York, NY |
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SOGTFO, Francois Ghebaly Gallery, Los Angeles, CA |
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Nihilism, Arturo Bandini, Los Angeles, CA |
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2014 |
Seven Reeds, Overduin & Co., Los Angeles, CA |
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CK One Daily, Night Gallery, Los Angeles, CA |
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2x2x2, Favorite Goods, Los Angeles, CA |
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Louie Louie, Human Resources, Los Angeles, CA |
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2013 |
CULM, Night Gallery, Los Angeles, CA |
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Magnitude, RealGold Exhibitions, London, UK |
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2012 |
Dust Storm, Occasionals Gallery, London, UK |
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Granica/Border, Miroslaw Balka School of Fine Art, Poznan, Poland |
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2011 |
Cargo Cult, Null/Void Gallery, London UK |
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AWARDS AND RESIDENCIES |
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2016 |
Rema Hort Mann Foundation Emerging Artist Grant Winner |
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2011 |
Residency with Miroslaw Balka School of Fine Art, Poznan, Poland |
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2009 |
Summer Residency with Firenzi School of Art, Florence, Italy |
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2008 |
Catherine Brewer Craft Award, London, United Kingdom |
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BIBLIOGRAPHY |
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2020 |
Mannarino, Chiara. “Nevine Mahmoud: Second Base in a White Cube Or: A Dialectic Homecoming.” Flaunt. January |
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2019 |
Williams, Gilda. “Nevine Mahmoud at Soft Opening.” Artforum, September |
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Bell, Elise. “Nevine Mahmoud: Meet the sculptor who wrings succulence from stone.” Kinfolk |
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2018 |
Keiles, Jamie Lauren. "Nevine Mahmoud: Soft As Stone," No Man's Land, Summer |
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"5 Things T Editors Like Right Now." The New York Times T Magazine, May 4 |
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d'Avignon, Angella. "Nevine Mahmoud at M+B." Contemporary Art Review Los Angeles, April 26 |
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Duguid, Rosalind, Charlotte Jansen and Emily Steer. “Nevine Mahmoud: Juicy Fruit and Hard Stone.” Elephant Magazine, March 1 |
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2017 |
Diehl, Travis. "Critics' Picks." Artforum, November 28 |
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Tindle, Hannah. “The LA Sculptor Carving Erotically Charged Forms from Stone.” AnOther Magazine, June 28 |
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Whitney, Christine. "The Sculptor Bringing Back the Craft of Stone Carving." New York Magazine, March 27 |
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2016 |
Mizota, Sharon. “Review: PLEASE HAVE ENOUGH ACID IN THE DISH!" Los Angeles Times, August 17 |
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“Portfolio by Nevine Mahmoud: Basketballs, Beachballs, Slides.” BOMB, March 30 |
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Berardini, Andrew. “Playtime.” MOUSSE Magazine, Issue 52 |
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Noice, E.D. “Considering Nevine Mahmoud’s Three Isolated Effects.” aqnb, May 11 |
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2015 |
“SOGTFO at François Ghebaly.” Contemporary Art Daily, April 7 |
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Berardini, Arturo. “SOGTFO (Sculpture or Get the Fuck Out).” Art Review, April 7 |
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2014 |
Knight, Christopher. “Seven Reeds: Exploring the Work in Works of Art.” Los Angeles Times, December 4 |