| BORN | |
| 1988, London, UK | |
| Lives and works in Los Angeles, CA | |
| EDUCATION | |
| 2014 | MFA, University of Southern California, Los Angeles, CA |
| 2011 | BA, Goldsmiths University, London, UK |
| 2010 | Foundation Studies | Byam Shaw School of Fine Art, London, UK |
| SOLO EXHIBITIONS | |
| 2020 | Hollyhock House, Barnsdall Art Park Foundation, Los Angeles, CA (forthcoming) |
| perfectly round, as we left them, Fondazione Arnaldo Pomodoro, Milan, Italy (forthcoming) | |
| 2019 | Bella donna, Nina Johnson, Miami, FL |
| belly room, Soft Opening, London, UK | |
| 2017 | f o r e p l a y, M+B, Los Angeles, CA |
| 2016 | Installation: The Poet and The Critic, and the missing, curated by Public Fiction, The Museum of Contemporary Art, Los Angeles, CA |
| 2015 | Vitrine, JOAN, Los Angeles, CA |
| 2014 | AUTOBODY, MFA thesis show at the Gayle & Ed Roski MFA Gallery, Los Angeles, CA |
| GROUP EXHIBITIONS | |
| 2019 | Sculpture-Lampe, Soft Opening, London, UK |
| Holly Coulis, Nevine Mahmoud & Christina Ramberg, Simon Lee Gallery, Hong Kong | |
| Math Bass, Nevine Mahmoud, The Gallery at El Centro, Los Angeles, CA | |
| Reductive Seduction, CHART, New York, NY | |
| 2018 | The Artist is Present, curated by Maurizio Cattelan, Yuz Museum, Shanghai, China |
| Common Forms, Peana Projects, Monterrey, Mexico | |
| Go, Soft Opening, Piccadilly Circus, UK | |
| MADEMOISELLE, Centre Régional D’art Contemporain Occitanie, Sète, France | |
| Paradise, organized by Edgar Bryan and Adrianne Rubenstein, Night Gallery, Los Angeles, CA | |
| Gut Friends, Porch Gallery Ojai, Ojai, CA | |
| Dragon Polishes the Pearl, Arturo Bandini, Los Angeles, CA | |
| I Had the Landscape in my Arms, Josh Lilley Gallery, London, UK | |
| Tragedy Plus Time, Roberts Projects, Los Angeles, CA | |
| Body So Delicious, Reyes Projects, Detroit, MI | |
| All Hands On Deck, Otis College Of Art and Design, Los Angeles, CA | |
| Nerve Center, The Pit, Los Angeles, CA | |
| Dreamers Awake: Women Artists After Surrealism, White Cube, London, UK | |
| Seven Sisters, Kasia Michalski Gallery, Warsaw, Poland | |
| 2016 | An Uncanny Order, Jessica Silverman, San Francisco, CA |
| Sim City, Ballroom Marfa, Marfa, TX | |
| PLEASE HAVE ENOUGH ACID IN THE DISH!, M+B, Los Angeles, CA | |
| Four Square in the Land of Milk and Honey, BBQLA, Los Angeles, CA | |
| Brancusi 2.0, Arturo Bandini, Los Angeles, CA | |
| Roman à Clef And/Or The Appetite Of The Chef, Rainbow in Spanish, Los Angeles, CA | |
| Three Isolated Effects, Lock Up International, Los Angeles, CA | |
| The Lasting Concept, Portland Institute of Contemporary Art, Portland, OR | |
| 2015 | Motorfruit, Blood Gallery, New York, NY |
| Tickles, 356 Mission, Los Angeles, CA | |
| Deep Dark Submersion, Romer Young Gallery, San Francisco, CA | |
| New Babylon, Roberts & Tilton, Los Angeles, CA | |
| Debris, James Fuentes, New York, NY | |
| SOGTFO, Francois Ghebaly Gallery, Los Angeles, CA | |
| Nihilism, Arturo Bandini, Los Angeles, CA | |
| 2014 | Seven Reeds, Overduin & Co., Los Angeles, CA |
| CK One Daily, Night Gallery, Los Angeles, CA | |
| 2x2x2, Favorite Goods, Los Angeles, CA | |
| Louie Louie, Human Resources, Los Angeles, CA | |
| 2013 | CULM, Night Gallery, Los Angeles, CA |
| Magnitude, RealGold Exhibitions, London, UK | |
| 2012 | Dust Storm, Occasionals Gallery, London, UK |
| Granica/Border, Miroslaw Balka School of Fine Art, Poznan, Poland | |
| 2011 | Cargo Cult, Null/Void Gallery, London UK |
| AWARDS AND RESIDENCIES | |
| 2016 | Rema Hort Mann Foundation Emerging Artist Grant Winner |
| 2011 | Residency with Miroslaw Balka School of Fine Art, Poznan, Poland |
| 2009 | Summer Residency with Firenzi School of Art, Florence, Italy |
| 2008 | Catherine Brewer Craft Award, London, United Kingdom |
| BIBLIOGRAPHY | |
| 2020 | Mannarino, Chiara. “Nevine Mahmoud: Second Base in a White Cube Or: A Dialectic Homecoming.” Flaunt. January |
| 2019 | Williams, Gilda. “Nevine Mahmoud at Soft Opening.” Artforum, September |
| Bell, Elise. “Nevine Mahmoud: Meet the sculptor who wrings succulence from stone.” Kinfolk | |
| 2018 | Keiles, Jamie Lauren. "Nevine Mahmoud: Soft As Stone," No Man's Land, Summer |
| "5 Things T Editors Like Right Now." The New York Times T Magazine, May 4 | |
| d'Avignon, Angella. "Nevine Mahmoud at M+B." Contemporary Art Review Los Angeles, April 26 | |
| Duguid, Rosalind, Charlotte Jansen and Emily Steer. “Nevine Mahmoud: Juicy Fruit and Hard Stone.” Elephant Magazine, March 1 | |
| 2017 | Diehl, Travis. "Critics' Picks." Artforum, November 28 |
| Tindle, Hannah. “The LA Sculptor Carving Erotically Charged Forms from Stone.” AnOther Magazine, June 28 | |
| Whitney, Christine. "The Sculptor Bringing Back the Craft of Stone Carving." New York Magazine, March 27 | |
| 2016 | Mizota, Sharon. “Review: PLEASE HAVE ENOUGH ACID IN THE DISH!" Los Angeles Times, August 17 |
| “Portfolio by Nevine Mahmoud: Basketballs, Beachballs, Slides.” BOMB, March 30 | |
| Berardini, Andrew. “Playtime.” MOUSSE Magazine, Issue 52 | |
| Noice, E.D. “Considering Nevine Mahmoud’s Three Isolated Effects.” aqnb, May 11 | |
| 2015 | “SOGTFO at François Ghebaly.” Contemporary Art Daily, April 7 |
| Berardini, Arturo. “SOGTFO (Sculpture or Get the Fuck Out).” Art Review, April 7 | |
| 2014 | Knight, Christopher. “Seven Reeds: Exploring the Work in Works of Art.” Los Angeles Times, December 4 |
