| BORN | 1976, Boston, MA |
| Lives and works in Los Angeles, CA | |
| EDUCATION | |
| 2005 | MFA, The School of the Art Institute of Chicago, Chicago, IL |
| 1999 | BFA, University of Michigan, School of Art and Design, Ann Arbor, MI |
| SELECTED ONE AND TWO PERSON EXHIBITIONS | |
| 2018 | Sam Davis and Josh Mannis: Macrosolutions to Megaproblems, M+B, Los Angeles, CA |
| 2017 | NOW, EARTH, Galerie Hussenot, Paris, France |
| 2016 | KNOWLEDGE OF THE FUTURE ESTATE, M+B, Los Angeles, CA |
| 2014 | Nothing but Trouble, Know More Games, Brooklyn, NY |
| Sexus, Thomas Solomon Gallery, Los Angeles, CA | |
| 2012 | Zeal for the Law, Anthony Greaney Gallery, Boston, MA |
| 2011 | Who’s the Father of Learning?, Thomas Solomon Gallery, Los Angeles, CA |
| 2010 | Variations, Thomas Solomon Gallery, Los Angeles, CA |
| SELECTED GROUP EXHIBITIONS | |
| NADA & Artadia, NADA Miami 2018, Miami, FL | |
| Reunion Tour, Andrew Rafacz, Chicago, IL | |
| 2018 | The Monochrome Set, Soccer Club Club, Chicago, IL (forthcoming) |
| 2017 | Geranium, curated by Adrianne Rubenstein, Stems Gallery, Brussels, Belgium |
| A Movable Feast I, Galerie Hussenot, Paris, France | |
| 2016 | 80WSE, New York, NY |
| On the Verge of an Image: Considering Marjorie Keller, LAND (Los Angeles Nomadic Division), Santa Monica, CA | |
| PLEASE HAVE ENOUGH ACID IN THE DISH!, Organized by Vinny Dotolo, M+B, Los Angeles, CA | |
| Bottom Floor, curated by Max Maslansky, Charlie James Gallery, Los Angeles, CA | |
| Inaugural Exhibition, Romeo, New York, NY | |
| Someday This Will Be Funny, Company, New York, NY | |
| 2015 | Bloody Red Sun of Fantastic LA, curated by Rene-Julien Praz, PIASA, Paris, France |
| Bad Boy Bail Bonds Adopt a Highway, curated by Amanda Ross-Ho, Team Gallery, New York, NY | |
| In An Absolut World True Taste Comes Naturally, curated by Kim Schoen, Camberwell Space, Camberwell College of the Arts, London, UK | |
| Josh Mannis, Brian Rochefort and Mason Saltarelli, Retrospective, Hudson, NY | |
| Maraschino, curated by Adrianne Rubenstein, Fourteen30 Contemporary, Portland, OR | |
| 2014 | Stairs Into My Eyes, curated by Dianna Molzan, The Finley, Los Angeles, CA |
| The Snowman’s Melting Teeth, curated by Jason Triefenbach, The George V. Doneff Gallery at Arts and Services for Disabled, Inc., Long Beach, CA | |
| Ibeezin; Seezzions, Michael Jon Gallery, Miami, FL | |
| The Trouble Between Us, curated by Kenneth Tam, The Weingart Gallery at Occidental College, Los Angeles, CA | |
| 2013 | Made In Space: NY, curated by Laura Owens and Peter Harkawik, Gavin Brown’s Enterprise, New York, NY and Venus Over Manhattan, New York, NY |
| Interior 301, curated by Dorothée Dupuis, Galerie Alain Gutharc, Paris, France | |
| Made in Space, curated by Laura Owens and Peter Harkawik, Night Gallery, Los Angeles, CA | |
| 2012 | Y… as in Yet, curated by Olivian Cha, Shanaynay, Paris, France |
| 2011 | Family Romance, Kavi Gupta Gallery, Berlin, Germany |
| 2010 | No Soul For Sale, presented by The Suburban, Oak Park, IL and Milwaukee International, Milwaukee, WI at Tate Modern Museum, London, UK |
| The Indistinct Seeing, curated by Sonja Gerdes, Infernoesque, Berlin, Germany | |
| 2009 | Sympathy for the Devil: Art and Rock & Roll since 1967, Museum of Contemporary Art, Chicago, IL; Museum of Contemporary Art, Miami, FL; Musée d'art Contemporain de Montréal, Québec (catalogue) |
| 2008 | This Land is Your Land, curated by Anna Mayer, Eveningside, Val Verde, CA |
| AWARDS | |
| 2017 | NADA Artadia Award Winner |
| CURATORIAL PROJECTS | |
| 2016 | LET LOVE BURN IN ALL THE LAMPS, Ms Barbers, Los Angeles, CA |
| BIBLIOGRAPHY | |
| 2018 | Osberg, Annabel. “Review: Sam Davis and Josh Mannis (Pick of the Week),” Artillery, August 8 |
| 2017 | "Josh Mannis Picks Up 2017 New York NADA Artadia Award," ARTnews, March 3 |
| 2016 | “Josh Mannis’ Knowledge of the Future Estate’ at M+B, Los Angeles,” BLOUIN ARTINFO, December 21 |
| Wagley, Catherine. “5 Free Art Shows to See in L.A. This Week,” LA Weekly, December 21 | |
| 2015 | Los Angeles Review of Books, Art Feature for Los Angeles Review of Books, Fall, 2015 (catalogue) |
| 2014 | Diehl, Travis. “Josh Mannis,” Artforum, October |
| Griffin, Jonathan. “Josh Mannis,” Frieze, September | |
| Gas, William. “Josh Mannis,” Art Papers, September | |
| 2012 | Banai, Nuit. “Josh Mannis,” Artforum, April |
| Pyper, John. “Josh Mannis,” Art Papers, May | |
| McQuaid, Cate. “Josh Mannis: Ritual and Exultation,” Boston Globe, February 29 | |
| 2010 | Knight, Christopher “A Whimsical and Diabolical Debut,” Los Angeles Times, January 22 |
| PUBLICATIONS | |
| 2007 | Molon, Dominic, et al. Sympathy for the Devil: Art and Rock & Roll since 1967. Chicago: Museum of Contemporary Art, Chicago; New Haven and London: Yale University Press |
