BORN |
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1993 |
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Lives and works in Los Angeles, CA |
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EDUCATION |
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2014 |
BA | University of California, Los Angeles| Design Media Arts |
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SOLO EXHIBITIONS |
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2018 |
Staging Grounds, M+B, Los Angeles, CA |
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2017 |
Collection Sites, Chicken Coup Contemporary, Portland, OR |
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2016 |
Cir Squirrel, VI Dancer, San Francisco, CA |
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The Multi-Directional Elevator, Chapter NY, New York, NY |
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Two Clocks, LOYAL, Stockholm, Sweden |
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2015 |
Solo presentation, M+B, The Armory, New York, NY |
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2014 |
Potential Derivatives, M+B, Los Angeles, CA |
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Trios, Retrospective, Hudson, NY |
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GROUP EXHIBITIONS |
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2017 |
The Plates of the Present, So Far, Praz-Delavallade, Paris, France |
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2016 |
Chapter, NY Booth with Willa Nasatir, Paris Internationale |
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Default, Honor Fraser, Los Angeles, CA |
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Pure Boar Bristle and Nylon Tufts, Podium, Oslo, Norway |
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2015 |
The Plates of the Present, The Dust, Paris |
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Shanaynay Benefit, Paris Internationale, Paris, France |
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Filter Bubble, LUMA Westbau, Zurich, Switzerland |
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Russian Doll, M+B, Los Angeles, CA |
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After Babel, Moderna Museet, Stockholm, Sweden |
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The Printed Room: Poems 1990-2001, SALTS, Switzerland |
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2014 |
The Reason We No Longer Speak, Fahrenheit, Los Angeles, CA |
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Liminal Space, Satellite Space, Santa Monica, CA |
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Two person presentation with Dwyer Kilcollin, (OFF)ICIELLE at FIAC, M+B, Paris, France |
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Me and Benjamin, curated by M+B, Galerie Xippas, Paris, France |
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Special Madness, David Shelton Gallery, Houston, TX (forthcoming, October) |
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New Systems, New Structures 001, William Arnold, Brooklyn, NY |
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ARENA Showcase, Kansas City, MO |
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The Stuff our Dreams are Made Of, Clearing, New York, NY |
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Independent, curated by Brad Troemel, Untitled, New York, NY |
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Too Soon, Perry Rubenstein Gallery, Los Angeles, CA |
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2013 |
Surface Area, Favorite Goods, Los Angeles, CA |
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AWARDS |
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2017 |
Louis Comfort Tiffany Foundation Grant |
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CURATORIAL PROJECTS |
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2015 |
Martos Gallery, Los Angeles, CA |
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2014 |
Passive Collect, Morgan Canavan, Lucy Chinen, Sean Raspet and Carlos Reyes, Chin's Push, Los Angeles, CA |
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PUBLICATIONS |
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2014 |
A Social Portrait in Writing |
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2013 |
Graphite Interdisciplinary Journal of the Arts |
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"Mapping the shape of art to come." Dazed & Confused |
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BIBLIOGRAPHY |
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2018 |
Poindexter, Kathryn. "Review: Jesse Stecklow," Artillery Magazine, July 2 |
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"Tiffany Foundation Announces Recipients of 2017 Biennial Grants," Artforum.com, February 15 |
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2016 |
Jesse Stecklow: "Cir Squirrel at VI Dancer," Sex Magazine |
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Wells, Emily. “These are the Things that Keep Us Alive.” Flaunt, July 14, 2016 |
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Hogan, Nathan. “Frequencies,” Flash Art, Issue 309, June 2016 |
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"Jesse Stecklow at Chapter NY." Contemporary Art Daily, June 9, 2016 |
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Korman, Sam. "Armory Show and Independent," Art Agenda, March 4 |
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2015 |
Chu, Christie. “10 Exceptional Millennial Artists to Watch,” artnet News, May 20 |
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Mooney, K.r.m. “Nice to Meet You” (Interview), Mousse Magazine, Issue 48, April |
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Goldstein, Andrew M. “10 of the Best Artworks of the 2015 Armory Show,” Artspace, March 8 |
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Shelton, David. “The Armory Show with David Shelton: Day 3,” Papercity, March 7 |
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2014 |
Diehl, Travis. “Passive Collect,” Artforum Critics’ Picks, July 31 |
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Schwendener, Marcha. "Chasing a Dream and an Unalloyed Ethos: A Critic's Picks in Brooklyn, an Embattled Utopia," The New York Times, April 3 |
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2013 |
Fitzpatrick, Kyle. "Artistic information: An Interview with Jesse Stecklow," Los Angeles I'm Yours, August 19 |
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