| BORN | |
| 1993 | |
| Lives and works in Los Angeles, CA | |
| EDUCATION | |
| 2014 | BA | University of California, Los Angeles| Design Media Arts |
| SOLO EXHIBITIONS | |
| 2018 | Staging Grounds, M+B, Los Angeles, CA |
| 2017 | Collection Sites, Chicken Coup Contemporary, Portland, OR |
| 2016 | Cir Squirrel, VI Dancer, San Francisco, CA |
| The Multi-Directional Elevator, Chapter NY, New York, NY | |
| Two Clocks, LOYAL, Stockholm, Sweden | |
| 2015 | Solo presentation, M+B, The Armory, New York, NY |
| 2014 | Potential Derivatives, M+B, Los Angeles, CA |
| Trios, Retrospective, Hudson, NY | |
| GROUP EXHIBITIONS | |
| 2017 | The Plates of the Present, So Far, Praz-Delavallade, Paris, France |
| 2016 | Chapter, NY Booth with Willa Nasatir, Paris Internationale |
| Default, Honor Fraser, Los Angeles, CA | |
| Pure Boar Bristle and Nylon Tufts, Podium, Oslo, Norway | |
| 2015 | The Plates of the Present, The Dust, Paris |
| Shanaynay Benefit, Paris Internationale, Paris, France | |
| Filter Bubble, LUMA Westbau, Zurich, Switzerland | |
| Russian Doll, M+B, Los Angeles, CA | |
| After Babel, Moderna Museet, Stockholm, Sweden | |
| The Printed Room: Poems 1990-2001, SALTS, Switzerland | |
| 2014 | The Reason We No Longer Speak, Fahrenheit, Los Angeles, CA |
| Liminal Space, Satellite Space, Santa Monica, CA | |
| Two person presentation with Dwyer Kilcollin, (OFF)ICIELLE at FIAC, M+B, Paris, France | |
| Me and Benjamin, curated by M+B, Galerie Xippas, Paris, France | |
| Special Madness, David Shelton Gallery, Houston, TX (forthcoming, October) | |
| New Systems, New Structures 001, William Arnold, Brooklyn, NY | |
| ARENA Showcase, Kansas City, MO | |
| The Stuff our Dreams are Made Of, Clearing, New York, NY | |
| Independent, curated by Brad Troemel, Untitled, New York, NY | |
| Too Soon, Perry Rubenstein Gallery, Los Angeles, CA | |
| 2013 | Surface Area, Favorite Goods, Los Angeles, CA |
| AWARDS | |
| 2017 | Louis Comfort Tiffany Foundation Grant |
| CURATORIAL PROJECTS | |
| 2015 | Martos Gallery, Los Angeles, CA |
| 2014 | Passive Collect, Morgan Canavan, Lucy Chinen, Sean Raspet and Carlos Reyes, Chin's Push, Los Angeles, CA |
| PUBLICATIONS | |
| 2014 | A Social Portrait in Writing |
| 2013 | Graphite Interdisciplinary Journal of the Arts |
| "Mapping the shape of art to come." Dazed & Confused | |
| BIBLIOGRAPHY | |
| 2018 | Poindexter, Kathryn. "Review: Jesse Stecklow," Artillery Magazine, July 2 |
| "Tiffany Foundation Announces Recipients of 2017 Biennial Grants," Artforum.com, February 15 | |
| 2016 | Jesse Stecklow: "Cir Squirrel at VI Dancer," Sex Magazine |
| Wells, Emily. “These are the Things that Keep Us Alive.” Flaunt, July 14, 2016 | |
| Hogan, Nathan. “Frequencies,” Flash Art, Issue 309, June 2016 | |
| "Jesse Stecklow at Chapter NY." Contemporary Art Daily, June 9, 2016 | |
| Korman, Sam. "Armory Show and Independent," Art Agenda, March 4 | |
| 2015 | Chu, Christie. “10 Exceptional Millennial Artists to Watch,” artnet News, May 20 |
| Mooney, K.r.m. “Nice to Meet You” (Interview), Mousse Magazine, Issue 48, April | |
| Goldstein, Andrew M. “10 of the Best Artworks of the 2015 Armory Show,” Artspace, March 8 | |
| Shelton, David. “The Armory Show with David Shelton: Day 3,” Papercity, March 7 | |
| 2014 | Diehl, Travis. “Passive Collect,” Artforum Critics’ Picks, July 31 |
| Schwendener, Marcha. "Chasing a Dream and an Unalloyed Ethos: A Critic's Picks in Brooklyn, an Embattled Utopia," The New York Times, April 3 | |
| 2013 | Fitzpatrick, Kyle. "Artistic information: An Interview with Jesse Stecklow," Los Angeles I'm Yours, August 19 |
